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第一篇：苏州英语导游词
Welcome to Luzhi ancient town for sightseeing. Luzhi ancient town is about 25 kilometers southeast of Suzhou. There are many lakes and rivers around the ancient town, and "small bridges, flowing water and people" can be seen everywhere. Therefore, it can be said that Luzhi is a typical "water country".
Luzhi was called Fuli in ancient times. It was not until the Qing Dynasty that it was renamed Luzhi. Luzhi, originated from Liuzhi. The so-called "six straight" means that the three rivers of Dazhi, Xiaozhi and zhishangjing in the east of the ancient town can reach six places. "Yong" is an auspicious Unicorn named luduan in the myths and legends of the Zhan Dynasty. It's the image you see on this sculpture. It is said that it has the special function of fast walking, understanding all kinds of words and well-informed information, which can ensure the smooth weather and protect the peace of the people. Therefore, it takes the homonym of "Lu" and "six" in Wu dialect and names the town "Luzhi". At the same time, it takes luduan as the town logo of the ancient town and stands here, which fully shows the good wishes of Luzhi people for a better life.
Luzhi ancient town belongs to Wuzhong District of Suzhou city. The area of the ancient town is only 1.1 square kilometers. The ancient town is adjacent to Wusong River in the north and Chenghu Lake in the south. It has wide waters and rivers. Since ancient times, it is rich in rice, wheat, freshwater fish, mat grass, Lingou and other aquatic plants. It can be called a genuine "land of fish and rice".
The ancient town is not only rich in water products, but also has a long history and strong cultural atmosphere compared with other ancient towns in the south of the Yangtze River. The history of the ancient town can be traced back to the spring and Autumn period and the Warring States period 2500 years ago. At that time, Helu, the king of Wu, and fuchai, the king of Wu, successively built the Li palace here. Zhang Lingshan in the southwest of the town is the burial place of Zhang Cang, the Prime Minister of the Western Han Dynasty; Lu guimeng, a poet of the Tang Dynasty, once lived in seclusion in the west of Bailian temple in the ancient town, and still has his tomb. Since the establishment of Fuli Academy in the Yuan Dynasty, the ancient town has always attached great importance to education and trained countless scholars. In the early years of the Republic of China in modern times, the ancient town took the lead in setting up new schools. Ye Shengtao, Wang Boxiang and Shen Baihan, the famous educators, taught here, and cultivated many excellent talents for the ancient town.
The long history and profound cultural accumulation have left many historical sites and celebrity footprints for the ancient town. From the ancient temples, gardens and streets to the ancient houses of historical celebrities, the whole zhanzhen town is like a dazzling Museum of historical relics. Among them, we can not only feel the vicissitudes of history, but also get the nourishment of culture. At present, the ancient town preserves historic sites and cultural landscapes such as the ancient castle temple, Lu guimeng's Ci, Shengtao memorial hall, Shen house, Xiao house, Wansheng rice shop, Wang Tao memorial hall, etc. In particular, the painted arhat statue preserved in the ancient castle temple is the only national key cultural relics protection unit in the ancient town of Jiangnan. Mr. Fei Xiaotong, vice chairman of the National People's Congress and a famous sociologist, wrote the words "the first water town in China" after visiting the ancient town. Today, "the first water town in China" has become the pride of town people and the pronoun of Luzhi ancient town. The town was named as a famous historical and cultural town in Jiangsu Province in 19q4, and was listed as one of the 13 scenic spots of Taihu Lake scenic spot. Now, please follow me to the ancient town to appreciate the unique style of "the first water town in China".
[Baosheng Temple]
Luzhi ancient town is famous, to a large extent, because there is a Baosheng Temple Museum in the town, which was one of the first batch of national key cultural relics protection units announced after the founding of new China. So far, Luzhi is probably the only ancient town in the south of the Yangtze River with national key cultural relics protection units.
Baosheng temple was built in the period of Liang Tianjian in the northern and Southern Dynasties. It has a history of 1500 years. Like the famous Hanshan Temple outside Gusu City, it is one of the 480 temples in the Southern Dynasty. In history, it has been used repeatedly. At that time, there were more than 5000 temples and thousands of monks in the temple, covering half of the ancient town. By the early years of the Republic of China, almost all the buildings in the temple had collapsed, and some of the temples had been rebuilt into schools. In the 1920s, when the Daxiong hall collapsed, the statue of arhat on the west wall of the hall was destroyed. Later, under the initiative of Cai Yuanpei, Gu Jiegang and other famous scholars, in 1932, an Antiquities Museum was built on the site of Daxiong hall to protect the statue of arhat. After liberation, the people's Government renovated the ancient temple. The existing ancient temple gate was rebuilt in 964 according to the original appearance of the gate during the reign of Emperor Qianlong of the Qing Dynasty. The word "Baosheng Temple" on the mountain gate is inscribed by Mr. Fei Xini, a contemporary sweeper.
Through the two Mountain Gate with the title of "Fuyang Xianmi", you can see the heavenly king hall standing in the middle of the courtyard. Tianwang hall was built in the Ming Dynasty and rebuilt in the Tongzhi period of the late Qing Dynasty, but it still retains the style of the Ming Dynasty. However, the basin type plinth of the Bu column is a relic of the Northern Song Dynasty. According to textual research, the Tianwang hall was rebuilt on the site of the last dynasty hall in the Chongzhen period of the Ming Dynasty. It is said that there was no iron nail used in the construction of Tianwang hall, and the joint was completely connected by tenon, which shows the exquisite craftsmanship of woodworking. The original four clay statues of Vajra in the hall were all destroyed by the Japanese during the Anti Japanese war. In 1956, Tianwang hall was listed as a cultural relic protection unit in Jiangsu Province.
To the north of the courtyard of Tianwang hall is the Museum of antiquities built on the site of Daxiong hall. There are two treasures of the ancient temple in the courtyard. Standing on the west side is a blue stone Scripture building, which originally stood in front of the heavenly king hall, next to the stone with a coiled pole on the east side, to exorcise evil spirits. Jingchuang and Jiashi are relics of the Northern Song Dynasty. In fact, Jingchuang is a kind of Buddhist stone carving that began to appear in the Tang Dynasty. It is generally composed of cover, column and seat. The pillar is engraved with Buddha statue, Buddha name or Sutra. The handwriting on the existing Qingshi Scripture building is no longer clear. On the east side of the courtyard, there is an iron clock, about 1.5 meters high and 1 meter in diameter, which was cast in the late Ming and early Qing Dynasties. On the clock, there is an auspicious saying of "good weather, good harvest".
There is a famous plastic wall arhat in the museum. Under the eaves in front of the museum is a plaque inscribed by Mr. Chang Yinren. The "nine Arhats" on the lintel of the Museum of antiquities was written by Zhang Ting, a professor of the Central Academy of fine arts. According to Wu Jun Fu Li Zhi, the original Daxiong hall was built in 1013. During the Northern Song Dynasty, there were Buddha statues of Sakyamuni and eighteen Arhats in the hall, which was copied by Yang Huizhi of the Tang Dynasty. Yang Huizhi is a native of Wu County in Tang Dynasty, who is as famous as Wu Tongguang, the "sage of painting". Because clay sculptures are not as easy to preserve as stone and wood carvings, it is not easy for Yang Huizhi's authentic works to be millennium old.
In 1918, historian Gu Jiegang visited Baosheng temple at the invitation of Ye Shengtao and Wang Boxiang. A well preserved work of Tang Dynasty's masterpieces attracted the attention of historians. In 1922, Gu Jiegang found that the statue of a member of the Luohan tribe was badly damaged and in urgent need of protection, so he ran around and called for the rescue of "art works of 1100 years ago". Later, under the care and advocacy of Mr. Hu Shi and Mr. Cai Yuanpei, a "preservation Committee of Luzhi Tang sculpture" was established to collect funds and invite famous painters and sculptors such as Xu Beihong, Liu Haisu, Jiang xiaostork and Hua Tianyou to study and draw up preservation plans. In view of the collapse of the original main hall, it was decided to build an Antiquities Museum on the site of the hall to preserve these precious art relics.
The museum started construction in the autumn of 1930 and was completed in the autumn of 1932. The Antiquities Museum was originally a Roman style red brick building with flat roof. Because the flat roof was easy to accumulate water, the leakage of the roof was found in the early 1950s, so the Antiquities Museum was renovated and the flat roof was changed to a sloping roof. After changing it into the top of the slope, although it can drain water, it does not coordinate with the overall architecture of the temple. So in 1987, it was rebuilt again, and the roof was changed to Xieshan single eaves type.
When you enter the museum, you can see a statue wall arhat facing south. The statues of Arhats can be seen in many temples, either five hundred Arhats or eighteen Arhats, but they hardly have any background, which is different here. In addition to the nine Arhats on the wall, there are rocks, clouds and spray, which give people a feeling of being near the sea and heaven. Except for the two Arhats who are discussing Buddhist scriptures, the rest of the nine Arhats are scattered and sitting, with different shapes and expressions, giving people a very vivid, realistic and natural feeling, which makes the whole design a little less religious and adds a bit of human affinity He Li.
High in the middle is Bodhidharma, the forefather of Zen. Because there is no him in the 16 Arhats and 18 Arhats, some people think that the statue in the middle is Xiao Yan, Emperor Wu of Liang Dynasty, which is a portrayal of his resignation when he was trapped in Taicheng. To the east of Dharma cave is the venerable Jiaxi, also known as "WangYan Luohan", with thick eyebrows and big eyes. At first glance, he is an Indian. His clothes are the most gorgeous of all the Arhats.
Under "Wang Yan Luo Han", there is a pair of Luo Han. To the East is the venerable nuojulu, who is kind-hearted and kind-hearted. He seems to be preaching scriptures, so he is also called "preaching arhat". So who is he lecturing to? Look at the statue of Ximei, who is listening attentively. This is "listening to the Sutra arhat". His name is ashdodo venerable.
To the east of the "preaching arhat" is the batara. Because of his peculiar facial expression, he is also called "embarrassed Rohan".
To the west of the Dharma patriarch is the venerable tanthidra. Look at his broad-minded, fat, detached look, known as "barefoot arhat.".
In the west of "barefoot arhat", the one with angry eyes is the one who guards Bojia. From his angry look, he is commonly known as "angry arhat". Below him is the "lonely arhat" supindra, with an impassive expression.
Sitting at the westernmost end of the wall is the bantorga. His expression is deep, as if thinking about something, so people also call it "meditative arhat".
The nine Arhats we see now are only half of the eighteen Arhats worshipped on the East and west sides in the main hall of Baosheng temple, and there are many damages. In addition, whether the author of it is Yang Huizhi, the "sculptor" of the Tang Dynasty, is controversial in the field of historiography from the following aspects: before the end of the Tang Dynasty, there were no eighteen Arhats, only sixteen Arhats, and the great hall was built in the Northern Song Dynasty. However, whether it was created by Yang Huizhi or by imitating Yang's style, its superb sculpture art shows people the wisdom and talent of ancient Chinese artists, which is of great artistic appeal and cultural value. Therefore, after the founding of new China, it was listed in the first batch of national key cultural relics protection units. In front of the Luohan wall, there are two stone statues carved from blue stones, which are antiquities of the Six Dynasties. In the past, it was usually placed in the middle of the street, which means that the Buddha is everywhere and cares for all living beings.
[Ye Shengtao Memorial]
Now you come to the yard is Ye Shengtao Memorial Hall. It was originally the site of Puli Academy. In 1906, a new school was set up, and Fuli Academy was transformed into Fuli primary school. Later, it was reorganized into "the fifth higher primary school of Wu county", which is called "wugao" for short. In the spring of 1917, Mr. Ye Shengtao was invited by his classmates Wu binruo and Wang Boxiang to teach at the "five high school". He worked and lived here for more than four years. During this period, he carried out the experiment of educational reform and created many literary works, such as "Han Xiao's Qin song" and "low energy children", all of which were directly based on the ancient town of Luzhi. Therefore, Mr. Ye has always affectionately compared Luzhi to his second hometown. After his death in Beijing in February 1988, in order to show his respect and memory, the people of the ancient town renovated several old sites where he was teaching and turned them into Ye Shengtao Memorial Hall. "Ye Shengtao Memorial Hall" engraved on the main entrance of the memorial hall was inscribed by the late president of the Chinese Buddhist Association, Mr. Zhao Puchu.
The two-story building on the east side of the courtyard was the "five high" women's department at that time. In 1919, Ye Shengtao's wife, Hu Molin, was employed by the "five high" and served as a teacher in the women's department for three years.
In the middle of the courtyard is a four side hall building that looks like a Square Pavilion. This is the "five high" Expo room, that is, the reading room. Now there is a flower basket on the table in the middle of the four side hall. In front of the flower basket, ye Lao's face model is placed for people to look forward to.
On the west side of the four side hall is a mandarin duck hall. At that time, it was the dormitory and office of the "five high" foreign teachers. The north side has been restored to the original appearance of the "five high" teachers' office.
To the north of the courtyard, there are seven bungalows lined up with a long corridor. This is the exhibition hall of the memorial hall. Starting from the preface hall in the East, it is divided into eight parts to introduce Ye Shengtao's life and his outstanding achievements in education, literature, publishing and social activities with photos, objects, literature and other exhibits. In particular, it highlights the work and life of Ye Lao in the ancient town.
From the north gate of the memorial, we came to Ye Shengtao cemetery. The granite platform faces east in the West. On the wall of the monument are engraved six gilded characters of "Tomb of Mr. Ye Shengtao" inscribed by Mr. Zhao Puchu. There is a six corner Pavilion in the east of the tomb platform, which is called Weiyan Pavilion. "Not tired" on the plaque in the pavilion is the ink left by Ye Lao. In his early years, ye used to call his residence "not tired of living". The word "not tired" means never tired of learning, constantly pursuing and making progress.
[Lu guimeng Temple]
From the west gate of Baosheng temple, there is an open space. To the north of it is the Bailian Temple site founded in the northern and Southern Dynasties. To the west of the Bailian Temple site is Lu guimeng temple, also known as Mr. Fuli temple. It was originally the residence of Lu guimeng, and was built as the ancestral hall of Mr. Fuli in the Northern Song Dynasty.
Lu guimeng is a late Tang Dynasty writer, a native of Suzhou, another name of Mr. Fuli. He had a distinguished family background and had two prime ministers. Lu guimeng studied hard since childhood in order to serve his country. However, with bad luck, he failed in the exam. In this case, I came to Luzhi ancient town to buy farmland and live in seclusion. In spite of the feudal and secular ideas, he went to work in the field himself. This was a valuable move at that time. Apart from farming, he often went boating and traveled in the rivers and lakes, and wrote many poems reflecting the life of Wu's water country. His works have been handed down from generation to generation, such as Mr. Fuli's collection and Lize's series. He is the best friend of PI Rixiu, a poet of Tang Dynasty, and is known as "Pi Lu" in the world. In addition, Lu guimeng also has a lot of research on agricultural tools, and his "leifujing" is an important material for the study of ancient agricultural tools in China.
Lu guimeng's tomb covers an area of about one mu. In front of the tomb stands a stone tablet of the reign of Kangxi and Tongzhi of the Qing Dynasty.
There is a qingfengting beside yiguanzhong, which means to praise Lu guimeng's elegant character of "qingfengliangjie". There is a pool beside qingfengting. This is the pool where Lu guimeng raised green ducks. Because the green duck is good at fighting, the pool is also known as the duck fighting pool.
Qingfengting and douyachi were first built in the Northern Song Dynasty, and were rebuilt in the Ming and Qing Dynasties. When qingfengting was rebuilt in Tongzhi period of Qing Dynasty, a plaque of "qingfengliangjie" was hung in the pavilion and a statue of Lu guimeng was erected. During the cultural revolution, it was destroyed again. The existing qingfengting and douyachi were restored after 1981. Among them, Lu guimeng's yiguanzhong and douyachi are listed as cultural relics protection units in Jiangsu Province. There are three ancient ginkgo trees on both sides of douyachi, which are said to be planted by Lu guimeng. They are just like three experienced historical elders, standing here, witnessing the vicissitudes of the ancient town.
[Wansheng rice line]
The place we come to now is Wansheng rice line written in Mr. Ye Shengtao's novel "collected more than three or five Dou". Its prototype is Wancheng hengmihang. In the early years of the Republic of China, this rice shop was jointly operated by Shen and fan in the town, and it was also a rice shop in Jiaozhi ancient town. In the past, every time I went to the new Valley, many boats selling grain and buying rice would gather in the river channel at the gate of the new valley. The lively scene of loading and unloading grain and rice can be imagined.
In the 1950s, it was transformed into a grain purchasing station and a grain warehouse. Now, in order to adapt to the development of the tourism market, develop the cultural tourism resources of the ancient town, renovate it as "Wansheng rice shop", and reproduce the style of "front shop and back yard" of the small town rice market in the Republic of China. Facing Hebu, the three Bay shop is a rice shop. On the high wooden counter is a billboard of "thousands of merchants gather". Behind the shop was a large yard, with stone slabs on the ground, and the south side of it
第二篇：苏州英文导游词欢迎词
Garden area of about 5 acres, now has kept roughly want between Mingdynasty and early qing. Gardens in north and south long and narrow rectangularplane, the north is courtyard, is composed of the main hall of boya hall andwater tree, the central pool, the water for about 1 mu, become dominated center.All the monohydrate bay, southeast and southwest tablet stone bridge. Inaddition to the waterside pavilion in the north for the revetment, the rest ofthe pond shore are naturally twists and turns. Take the nets garden gardeningtechniques, offshore for low buildings, such as cottage fishing tents, makes thesurface appear open. Fanaw had stacked stone rockery, one screen at a time onthe bridge. Southwest pool has a yard, water curved courtyard, a quiet elegant.Pool north waterside pavilion surface width of 5, and cabinet gallery annex onboth sides. All these buildings occupied the north facade, as seen in suzhougardens. Yard on both sides of the square of two hall, column flange pool lakestone, such as camellia, magnolia flower plants and. Pool a Ming dynastyarchitecture, southeast of milk fish pavilion, the architecture of primitivesimplicity and easy, for the rare and precious cultural relics.
The garden more preserved Ming dynasty garden style, layout and gardeningtechnique, winning by plain simple, natural, and celebrities such as WenZhenmeng former residence is located, it is of high historical value andartistic value. As a key cultural relic protection unit in jiangsu province in1995.
第三篇：苏州英语导游词
Dear tourists
hello everyone! What we are visiting now is the world famous net master garden. Wangshi garden is a typical representative of Jiangsu garden in China. Professor Chen Congzhou said in his article "famous gardens in China" that "Wangshi garden is a model of small garden respected by gardeners". The famous German horticulturist and connoisseur, Ms. Mariana bauchetti, who was awarded the Grand Cross of the Federal Republic of Germany by the German government, pointed out in her book Chinese Garden: "I think Wangshi garden is the most elegant and complete private garden in Suzhou.".
Wangshiyuan was built in the Song Dynasty. At that time, it cost 1.5 million yuan (1000 copper coins) to build houses and gardens. Today, 800 years later, a Japanese tourist once offered a price of 1.2 billion US dollars to buy this garden. Seeing that the garden owner had no intention to discuss, he repeatedly said, "this is your national treasure! Priceless treasure Therefore, it is no accident that dianchunzhen of wangshiyuan is the first blueprint of Chinese classical garden works exported overseas. Su Dongpo said, "it's a pity not to visit Huqiu in Suzhou." I would like to say, "it's a pity not to visit wangshiyuan in Suzhou gardens.".
My friend, maybe your heart has already entered the net division. Just a moment, please follow me to Chengqiao road in the southeast of Suzhou ancient city, and turn into a very narrow Yangchang lane, kuojiatou lane, and walk eastward on the stone road. This twists and turns for 5 minutes to go to the depth of the alley, only to see the master garden. This long lane is like a string of ellipsis in a lyric poem. It means that I don't care about the rich and I don't care about the rich. It shows that the master despises wealth and is elegant. So, who is the master? Why is it named wangshiyuan?
Shi Zhengzhi (a Yangzhou native) was a minister in the central court during the Chunxi period of the Southern Song Dynasty (1174-1189). In the face of the invading Jin soldiers, he was greedy for life and peace. He was exiled to Suzhou. In 1174, he asked someone to build a house called "wanjuan Hall" and built a garden opposite the gate, which means boating on five lakes and calling himself "Yuyin". This is the net master The predecessor of the garden.
During the 500 years from the Song Dynasty to the yuan, Ming and early Qing Dynasty, the owner of the garden changed again and again. In the middle of the reign of Emperor Qianlong in the Qing Dynasty (around 1785), song Zongyuan, the Shaoqing of Guanglu temple, retired, bought the former site of wanjuan Hall and made a new layout. Why did song Zongyuan name the garden wangshiguo? It is said that it is related to the fisherman Wang Si and his daughter. It is said that song Zongyuan got a son in his later years, which was named Shuangxi. Shuangxi was smart and lively when he was young. Once, he went fishing in Zhantai and accidentally fell into the lake. Wang Si and his daughter Guizhi rescued him and sent him home by boat. In order to repay Wang Si's father and daughter for saving their son's life, song Zongyuan named the garden with the honorary name of fisherman - "net master". Since then, wanjuan hall has been called net master garden. As a matter of fact, song Zongyuan compared himself to Fisherman and named the garden after it. On the one hand, he borrowed the original meaning of "Yuyin" in Shi Zhengzhi's garden, which meant to live in seclusion and regret himself. On the other hand, because there was a lane beside the garden named Wang Si, which was homonymous.
Wangshi garden is located at No.11 kuojiatou lane. It faces south in the north. There is a screen wall in front of it. There is a horse ring between the walls. There is a pagoda tree planted on the left and right. There is an east-west Lane gate. There are two opposite gates on the east side. The gate is two feet and five inches high. They are all painted in black. There are drum stones on both sides of the gate. On the top of the gate are lion rolling Hydrangea ball, and on the top of the architrave is decorated with a valve. In ancient times, the left and right pillars outside the gate of the official family were often used to post Gongzhuang, which was called "valve" on the left and "Yue" on the right. After the Tang and Song Dynasties, official families specially made two columns outside the gate, which were called Aconitum valve reading. This kind of decoration showed the prominent status of the garden owner.
Wangshiyuan residence has three entrances, and its scale is not large. The entrance hall first has to go through the threshold that can be installed or pulled out. Thinking about how busy the threshold was 800 years ago, the VIP came, the servants pulled down the threshold busily, and the VIP left, and then installed it busily. The entrance hall, or sedan hall, was the place where sedan chairs were parked in the old days. After entering the hall, there are two long Lai benches on the left and right, which can also be used as benches. This kind of stool, which is symmetrically displayed on both sides, gives a neat and dignified visual effect as soon as you enter the door. The sedan chair hall used to be the place where the host of the guests dropped the sedan chair. Generally speaking, they can sit here to wait for tea, so the sedan chair hall is commonly known as the tea hall. In the middle of the hall is a plaque of "early arrival in the morning", which was written by Zhang Xinjia, a famous modern calligrapher and painter in Suzhou. "Qingneng" is the feudal dynasty officials flaunt moral character, in today's words is clean government, both ability and political integrity; "zaoda" refers to the early developed meaning. On the east side of the hall, there is a sedan chair, which is made of mahogany and bamboo. There are many bat patterns on the sedan chair, symbolizing happiness. The front of the sedan hall is equipped with a partition door and brown paint. At the top of the hall, there is a brick family hall dedicated to the ancestral tablet. The brick carving has a history of 700 years. In the east of the hall, there is a secluded Lane leading to the inner hall, and in the west of the hall, there is a brick gate of "wangshixiaozhu", which leads to the main garden of mountains and waters in the middle.
The hall is also called Jishan hall. In the middle of the hall, there is a plaque of "wanjuan hall" written by Wen Zhengming, one of the four great talents of the Ming Dynasty. This silent language tells people that the master is worthy of scholarly status. He not only keeps wanjuan books at home, but also hangs on both sides a couplet written by Zhang Xinjia, which reads "the rain of mountains rises in the night, and the snow of valleys rises in the spring". The hall is five rooms wide. It is the main place for the owner to entertain and receive guests. If there are three generations in the same room, the central position is grandfather and grandmother, the east side is parents, and the two sides are children; if there are visitors, according to the custom that the East is expensive, the guest will sit in the East, and the host will sit in the West. There is a bronze drum in the middle for decoration. The East and west walls of the hall are decorated with marble landscape screens, and the hall is decorated with Ming style mahogany furniture. On the natural table are displayed the ancient porcelain, arched stone and plug-in screen collected by the owner to show the owner's cultural quality and interest. You see, the main hall has square beams and curved rafters, and the beams are carved with decorative patterns of flowers. The front porch has long gooseneck rafters and 18 floor long windows. The front of the hall is equipped with a row of 18 white painted doors, which not only unifies the color of the wall, increases the lightness of the room, but also sets off the furniture and articles displayed in the hall, and the white background clerical couplet of the two columns in front of the hall has a more echo effect. In short, the whole hall has a broad plane, a tall facade and a grand and solemn overall image. The layout of the hall still maintains a completely symmetrical pattern on the left and right, highlighting the natural table, table, square table and chair in the center of the hall, and the plaque, hall pair and couplet in the middle of the front also have the finishing effect. In addition, the hanging of palace lanterns and murals in the space, the hanging of marble inlaid strip screen, the square shape and the exquisite mahogany imitation furniture make the atmosphere of the hall better More serene, quiet and solemn.
The courtyard in front of the hall is symmetrical in East and West. Two magnolias are planted, implying the wealth of Yutang. In spring, magnolia flowers bloom in front of the hall, which means far-reaching. Magnolia, which blooms in early spring, is also known as spring flower. It is the most famous and popular flower among the plants given to Europe by China.
Facing the south of the hall is an exquisitely carved brick gate building. The gate building was built during the reign of Emperor Qianlong. It is about 6 meters high, 3.2 meters wide and 1 meter thick. The brick carvings on the gate building are carved with chisels and planers on delicate green bricks by using flat carving, relief carving, engraving and hollow carving techniques. With vivid historical figures, birds, animals and flowers, it is worthy of the title of "the first gate of Jiangnan". The gatehouse is full of creeper patterns. The creeper plants grow and spread continuously. People place its prosperous and long-term auspicious meaning on it. In the middle of the gate is a stele. It is engraved with "zaoyao Gaoxiang". Algae is aquatic plants, algae Yao refers to gorgeous literary style, high flying means flying high. On the left side is a three-dimensional picture of Guo Ziyi's shangshou opera. As you can see, Guo Ziyi is sitting in the main hall with a beard and chest hanging. Eight civil and military officials are standing in turn, some holding tributes, some holding weapons, potted flowers in the hall, and a pair of stone lions in front of the door. Guo Ziyi lived eighty-four years. Her eight sons and seven sons-in-law were all officials of the imperial court, which can be described as great virtuous. Therefore, this brick carving of Guo Ziyi's longevity means "both happiness and longevity". On the left is a three-dimensional picture of King Wen's visit to sages. You see, Jiang Ziya has a long beard and a chest. He sits on the Weihe River in a solemn manner. King Wen of Zhou kneels down on one knee to seek virtue, and ministers of culture and military support him. Some of them lead horses, and some of them hold weapons. This is the scene of King Wen of Zhou's visit to Jiang Ziya. King Wen is famous for his great virtues, and Jiang Ziya is famous for his great sages. Therefore, King Wen's visits to sages are more complete than Yu's. The following is a bat pattern, with lion rolling ball and flower patterns on both sides. There are three "Shou" characters in it, which symbolize the three stars of happiness, wealth and longevity. Happiness means five blessings, wealth means high official wealth, and longevity means long life.
Passing through the hall is the five room inner hall with compartments, commonly known as the women's hall. The big plaque under the beam frame is black on a green background. It is called "Jiexiu building", which was written by Yu Yue, a famous scholar in the late Qing Dynasty. Pick is pick, pick meaning, pick show is to take the meaning of beauty. In ancient times, the houses in Suzhou were relatively low. Most of them had only one floor. Therefore, when you go to Jiexiu building, you can have a panoramic view of the whole garden. Overlooking from afar, Tianping mountain, Lingyan mountain, the top of the mountain pagoda, Ruiguang tower and so on appear in front of the window. In the women's hall, in addition to chairs, tea tables and other furniture, there is a set of exquisite mahogany round stool in the center, which makes the furnishings show a new scene. The bed with marble inlaid on the front and foot on the bottom has a strong flavor of family life. The hall is exquisitely decorated, with floor covers hanging and windows carved with flowers, birds and insects. There are two osmanthus plants in the courtyard in front of the building, one is golden osmanthus in the East, and the other is silver osmanthus in the West. It has a delicate fragrance in autumn and is known as jiulixiang. Golden osmanthus is golden and silver osmanthus is white. According to ancient myths and legends, there are jade osmanthus trees in the Moon Palace. In ancient China, the number one scholar in the examination was known as the toad palace. Sweet scented osmanthus is fragrant, elegant and noble. It has its own name of Xianyou and Xianke. Sweet scented osmanthus can be described as "the fragrance is not equal to the fragrance, and no flower in the world dares to fight for fragrance.". The women's hall was built in the Guangxu period of the late Qing Dynasty (1896). It has a small volume and a low building. It is the living place of the owner of the garden. It connects with a small garden at the back. It is a more reserved, comfortable and comfortable living environment. The furnishings here are full of the characteristics of the old women's activities.
On the north side of the courtyard, there is a small pavilion, named tiyunshi. On the west wall in front of the tiyunshi courtyard, there is a peak cave rockery made of Lake stones. There is a zigzag climbing road leading to the library. Here we borrow the ladder cloud to get the meaning of the moon. This room is a two-story building, which used to be the inner room of the kindergarten owner's children. There are six floor to floor flower windows in the north and south of the pavilion. The flower window skirt board is engraved with flowers, landscapes and landscape patterns. Among them, there is a floor to floor flying hood, which is carved with double-sided magpie and plum pictures. It is vivid and exquisitely made. The magpie is the auspicious bird of primrose, the magpie calls, the happy event arrives, the metaphor happy event, the plum blossom is the Primrose Flower, the plum blossom and the happy event are connected together, indicates the joy to the eyebrow (plum) tip. Spring plum, crabapple, pomegranate, Chimonanthus praecox, green bamboo, black pine, crape myrtle and other ornamental flowers and trees are planted in the courtyard. The height is scattered and the four seasons are pleasant. In particular, the graceful bird does not stay at home. It is evergreen all the year round. Its small flowers and fruits are dazzling and thought-provoking. If you look at the shop floor, there are patterns of lotus and fish net. One is to make up for the lack of water in the East. The other is to point to the master's garden. There are also patterns of bats and cranes. Bats are homophonic with happiness, so bats express happiness. What we see now is the form of flying bats and clouds together, which shows that people pray for happiness and fall from the sky like bats Good wishes. As the old saying goes, the crane is not old pine, so the crane is always young and long-lived.
Now we have finished visiting the residential area of wangshiyuan. As we all know, housing is an integral part of the garden. In the feudal society of China, its pattern was restricted by the Confucian "three cardinal guides and five constant principles". It was mainly symmetrical in the middle axis, highlighting the position of respect and putting the position of respect in the central position. The inferior and subordinate people were listed on both sides or behind. isn't it? You see, the front and back three entrance hall of Tongshi garden is the sedan hall, which used to be the place for the owner and guests to get off the sedan chair; the second entrance hall is the hall, which can arrive early in the morning, faces the South and is in the middle, and has a high elevation. It is the main place for the former owner to have festive banquets, discuss family affairs and receive guests; the third entrance hall is the inner hall, which used to be the gathering place for the family members. The back courtyard of the women's hall is a terrace room, which is located on the extension line of the north-south axis, and occupies the lowest position in the north. It is the inner room of the master's children. The main part of the house and garden is balanced and regular. The three entrance open hall and the back courtyard are on the same central axis in turn. They are symmetrical and coordinated, emphasizing the hierarchy and the superiority and inferiority, and the mean and peace. This symmetrical and orderly layout gives people a balanced, even, neat vision, and ultimately a harmonious aesthetic feeling. I wonder if you have noticed that there is always a patio between the halls. Why raise? First, it is convenient for daylighting. In ancient times, there was no electricity. In rainy days, it was dark indoors. Second, it is convenient for drainage. There are several gullies in the patio. Therefore, no matter how heavy the rain is, it is not easy to accumulate water. Third, it is conducive to the people in the hall to breathe fresh air and the aroma is strong. Suzhou residence has high roof ridge, large entrance depth, thin wall, deep eaves and simple and elegant appearance. White walls, grey tiles and black, brown, dark green and other colored wood frame work together and are reflected in the green water, forming a bright style of Jiangnan Water Town style painting.
Looking to the West from the small gate on the west side of the courtyard behind Jiexiu building, I feel that the courtyard is a little deep. As you move towards the west, you will see an independent courtyard. This is the former site of wanjuan Hall of Shi Zhengzhi, the master of the Southern Song Dynasty. It has five rooms in width. The library used to be the master's book collection and reading room, and the reading and painting building is on the upper floor. The relative courtyard of the library is wider in the east-west direction. In front of it is the north wall of Jiexiu building. The gardener used the high wall as the powder, and stacked a peculiar shape of Lake rock rockery, which is precipitous and beautiful. Li Bai, a great poet of the Tang Dynasty, wrote: "the five old peaks in the southeast of Lushan Mountain, the golden prize is cut by the blue sky". The owner borrowed the "five peaks" to Title The book house. Visitors see the mountain as the afterblood of Yungang, giving people a beautiful Association. The interior of Wufeng library is spacious and bright, with only a low wall in the South and large windows in the upper part. One is to increase indoor lighting, and the other is to better appreciate Fengshi. There is a tall magnolia tree beside the rockery in front of the court. It has flowers all over the court in spring. What is particularly precious is that there is also a top-quality camellia tree in the flower bed, which is called "Thirteen Taibao". When this camellia tree is in full bloom, it blooms 13 different colors of flowers, including red, pink and white, which is unique in Suzhou gardens. Wufeng library is a relatively independent courtyard. It is behind Jiexiu building, but it is not on the same central axis, but slightly to the northwest, which is quite particular. It connects the buildings in the north of Caixia pool with the eastern residential area in a transitional way. Wufeng library is a two-story building, with a corridor in front of the house, a half Pavilion in the East, and a pole outside the bamboo in the West. The two portals are very small. One is to make people feel unique, and the other is to maintain the overall closeness of the east courtyard and the West pole outside the bamboo, so as not to cause "air leakage" in these two scenic spots.
Next to the west of Wufeng library is the three Bay hall, named jixuzhai. This is the place where the master of the garden studies to cultivate his mind. Jixu is full of Taoist thoughts. "Jixu" comes from Zhuangzi. The world of the world: "only those who have knowledge of Jixu can have Xinzhai." Xu "refers to the clear and clear state in the heart," Xinzhai "is the place to nourish the heart. That is to say, he must unify his mind and mind, get rid of distractions, and listen attentively to the outside world, even with "Qi". Zhuangzi used it to preach his nihility and obedience philosophy. Here, the owner of the garden used it to flaunt his high and pure character, which has nothing to do with the world. It shows the artistic conception of yearning for the seclusion of fishermen and woodcutters. The interior furnishings of jixuzhai are elegant. The calligraphy and painting Manying with the theme of bamboo echoes with a pole outside the bamboo. Standing in the middle of the courtyard, you can cover a pole outside the bamboo with a moon cave door. There is a three-dimensional picture of Yungang with a circle outside and a square inside. There is a building on the top of it. You can see the scenery in the garden. No wonder nearly 10 negotiations between China and Singapore in Suzhou Industrial Park from April 15, 1992 to February 21, 1994 were held in the upstairs of miss jixuzhai, wangshiyuan. Lee Kuan Yew and his wife have been here twice. One writer wrote: Net master Garden
第四篇：苏州英文导游词欢迎词
Changshu city in jiangsu province is located in the Chinese economy most developed Yangtze river delta, the conjugate of the Yangtze river golden waterway of the throat, adjacent to China's biggest economic center of Shanghai, and in the arms of suzhou, wuxi, nantong and other large and medium-sized cities, has a unique geographical advantage. Changshu the amphibious transportation is convenient, in highway. 204 national highway running through the territory, Su Chang line connecting shanghai-nanjing expressway. Suzhou-jiaxing-hangzhou expressway, coastal expressway in construction and planning of the railway, sutong bridge along the river in the intersection, changshu has become an important transport hub in east China. Changshu is located in the Yangtze river delta development zone along the Yangtze river, east on Shanghai, south suzhou, wuxi west, north near the Yangtze river and nantong across the river. The city's total area of 1164 square kilometers and a population of 1.039 million, with 24 towns and yushan mountain forest farm. Within the territory of flat terrain, the climate is mild, the good crop weather, because the harvest year after year the name "changshu", known as "jiangnan land of fish and rice" reputation. Is the national famous historical and cultural city, changshu, after five thousand years of civilization developed leather, culture developed, talents and heroes. Far a xing wu culture and education, the pioneers of the hole door "one of the ten zhe" south "master" suppress and nearly have qing dynasties royal preceptor, prime minister weng dowa etc. A large number of famous historical figures.
From tang dynasty to qing dynasty, a total of nine prime minister, eight champions, 483 jinshi. When modern, members (department members), changshu 18, including li qiang, wang kan-chang, gwong dau cheung, Zhang Qinglian such as a well-known scientist. History to changshu left plenty of humanities landscape, listed in the national taihu lake scenic area of yushan mountain national forest park, the monk, shajiabang scenic area, make changshu is famous at home and abroad of tourist attraction. "Seven streams is sea water, green hill half into the city" human natural landscape, changshu has created a unique amorous feelings. In 1997, was the provincial government named the provincial garden city, in 1999, changshu smoothly through the national sanitary city assessment. Changshu is a by the well-off towards basic modernization of cities. Since the reform and opening, changshu make full use of its own location advantages and cultural advantages, carry forward the "unity, hard, realistic and innovative" spirit of changshu, hard work, pioneering spirit, economic and social undertakings have made substantial progress, comprehensive strength enhanced obviously, the sixth year in a row to keep the national "top ten god of wealth county" title, the "national comprehensive strength counties (city)", "national science and technology counties (city)".
20xx 25.8 billion yuan GDP, gross industrial output value 45 billion yuan, the total import and export of $1.561 billion, total retail sales of social consumer goods 6.87 billion yuan, fiscal revenue was 2.436 billion yuan. The whole city economy and various social undertakings maintained a healthy development momentum. Developed economy, science and education progress, market prosperity and social stability of the new changshu is moving toward modernization basic target stride forward. Changshu convenient traffic, only an hour away from Shanghai hongqiao airport. Telecommunications has Cheng Konghua full implementation, is the first population of more than millions of telephone city in jiangsu province. Colleges and universities in the city has 2, 1 national demonstration high school, vocational school 2, 7 provincial key middle school. Changshu is a national "spark technology concentration areas," top ten patent counties (city), in the "national science and technology comprehensive strength counties (city)".
第五篇：苏州留园英文导游词范文
The garden was built in Ming jiajing period, the original is Ming jiajing years taibusiqi QingXu Thai east garden. Rockery garden was stacked stone famous Zhou Bingzhong (minister). With the humble administrator's garden, the Summer Palace in Beijing, chengde summer resort and called China's four big gardens, on the world heritage list by UNESCO in 1997. Now dominated covers an area of about 50 acres, in general can be divided into four scenic area, east, west, north. During which are connected by song gallery. Circuitous, a series of more than 700 meters, leading to a secluded spot, xiuse view. In the middle is the base of original cold blue hill. Wide monarch pool, west, north hill. East, south for construction. Rockery is given priority to with soil, fold in Yellowstone, imposing manner is thick. On the hill grow lush ancient, show those mountains SenYu atmosphere. The mountain water jian between winding, as if the source of the water.
The garden in the park building decorate exquisite, stone and famous. With suzhou humble administrator's garden, the Summer Palace in Beijing, chengde summer resort and said China's four big gardens. In 1961, the lingering garden published by the state council of the People's Republic of China as one of the first batch of national key cultural relics protection units. In 1997, including the garden, suzhou classical gardens is listed as world cultural heritage.
In the garden to pool as the center, pool rockery in north kiosk, cheng trees. Pool rockery osmanthus fragrance smell on the porch, is overlooking the dominated scenery best place, and has a long corridor and everywhere is same. Building the park is divided into several parts, each building is equipped with a variety of door window, can communicate each scenery, make people indoors for outdoor scene, can be made up of landscape plants, all kinds of pictures take in everything in a glance, greatly broaden the field of vision space.
Lingering dominated is divided into four parts, in a garden can enjoy the scenery, rural, mountain forest, garden four different scenery: central to waterscape, essence is dominated; East to qu yuan's corridors construction, the east of the garden of the famous beautiful sunny rain quickly snow hall, nymphs jain airport.lt pavilion, also I DouShuChu, haeundae, crown crown cloud building a dozen such as diet, porch, has three stone mountain, in the pool after center name stone crown yunfeng, on both sides to red cloud, glaze cloud two peaks; North of the countryside, and a new monarch miniascape garden; West side is dominated the top, there are open to rockery, and the collection of piled up naturally. ChiNaHan with bright blue mountain room floor is the garden of the main building. Leave the park landscape architecture and represent the means indifferent calm "small taoyuan (small penglai)" and far cui pavilion pavilion, quxi buildings, wind pool, etc.
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