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第一篇：英语导游词泉州导游词
泉州导游词
Overview of Quanzhou TouristryQuanzhou is a well-known hometown for overseas Chinese and a majority of the Han population in Taiwanese.The total population in the municipality is over 6.7 million.About 9 million of Han nationality in Taiwan are originally from Quanzhou.In recent years, the number of visitors from Taiwan, Hong Kong and Macao has been increasing.They come back for pilgrimage to their visit ancestors’ graves, visit their families and friends, make investments and conduct busine and sightseeing.This has greatly promoted the social and economic development in Quanzhou.Quanzhou is one of first 24 important national historic and cultural cities announced by the State Council.From Tang Dynasty to Yuan Dynasty, “Citong Port” in Quanzhou was one of the major ports for foreign trade.It was the departure point of “marine silk route” and enjoyed the grand reputation of “largest oriental port”.The city has numerous famous scenic spots, cultural and historic relics.Among 399 protected cultural relics in the city, 12 are of state level and 37 are of province level.1.Chongwu Ancient Town “natural film studio” and “Beidaihe in the South”.It is located at Chongwu Township, the coastal jag in the east of Hui-an County.The site covers an area of 300 Mu, winding along the coastline, composed of Chongwu ancient town, Hui-an women glamour, the granite carving museum, and Earth Art.The well-preserved T-shaped city wall of Chongwu ancient town is located on just the opposite of the scenic spot.It is regarded as “case of the ancient systematic civil work due to its unique architecture.The area has been listed by provincial tourism Bureau as the key construction project for tourism and announced by Quanzhou Municipal Government as the first batch of famous scenic spots, receiving over one million tourists each year.2.Qingyuan Mountain Quanzhou is 2 km from the down town and directly acceible by bus.The sight is known as “No.1 Penglai Mountain in Fujian Province” and the “Back garden of Quanzhou”.The scenic sight covers a total area of 62 km2, consisting Qingyuan Mountain, Jiuri Mountain, Lingshan secret tomb, and Xibeiyang.Qingyuan Mountain has three national key culture relics located on 8 sites.The most attractive site is the giant granite statue of an old gentleman, which is 5.63 meters high, 6.85 meters thick and 8.01 meters wide.Covering an area of 55 m2, it is the largest Taoist granite statue existing at present in China.In addition, there are also Islamic tombs in Song Dynasty, Qifeng rock calligraphy group on Jiuri Mountain, the granite statue of “Sanshifu(Three-generation Buddha)”of Tibetan Buddhism of Yuan Dynasty, the giant granite statue of “Amituofu”, and the Buddhist relics of Hongyi master, the senior monk in modern history, and the Buddhist relics of Hui-an native Guanqin master monk which is brought back from Taiwan.The mountain has gathered rock calligraphies of Taoism, Confucius, Buddhism, Muslim, Muni, as well as many fine calligraphy since Tang and Song Dynasties, hence the name of “Museum of Stone Carving”.3.Ling Mountain Sacred Tomb
Fengze District Forest Park.It is the best protected Muslim relics existing in China.Covers an area of 300 m2, the existing tomb is a pagoda shaped Islamic tomb, located in the north and facing the south.The tomb, measuring 2.15 meter long, 1.1 meters wide and 0.6 meters tall, is structured in three layers.On the east, west and north of the tomb are horse-shoe shaped protection cloisters for 9 chambers which are 11 meters wide and 1.04 meters deep.Inside the cloisters, there are 5 monument stones of different dynasties.In front there is a shining-green monument stone carved with Arabic language.On the right it is the monument stone which was laid when Zhenghe came to burn jo sticks before he started the 5th voyage expedition.To the Arab world, the tomb on the Ling Mountain is the third important sacred tomb, next to Muhammad’s tomb in Mecca and Ari Tomb in Iraq.4.Qingjing Mosque National key culture relics, it is located in the middle section of Tumen Street, Licheng District, covering an area of 2500 m2.Qingjing Mosque faces the street in the South, with a pointed dome roof.The dome has three layers: inside, middle and outside.On the external wall, there is a statue on the top, which is carved with “Alcoran” in Arabic.The back wall of the mosque is carved with ancient Arabic script, recording the time of construction and repair and the builders.In the mosque, there is a stone carving of the emperor’s instruction about the protection of the Islamic mosque in Yongle Year 5 of Ming Dynasty(1407).On top of the mosque gate, there is a platform named “platform looking at the moon” which is built with bricks in the shape of dual-square.5.Kaiyuan Temple National key culture relics, it is a 1000-year old temple, famous in China and overseas.Build in Wuzetian Chuigong Year 2 of Tang Dynasty(Year 686), the temple is Located in the west street of Lincheng District, Quanzhou, Fujian Province.The temple has a history of over 1300 years, covering an area of 78,000 m2.Kaiyuan Temple is evenly laid in structure.Starting from the gate, there are the Hall of Heaven King, Praying Pavilion, east and west Corridors, the Precious Hall of Great Hero, Ganlujietan, and scripture store-room.The buildings are laid spectacularly and neatly in a line.Inside Kaiyuan Temple, there stood the east pagoda and the west pagoda, which are also called Ziyun couple pagodas.The east pagoda is named Zhenguo Pagoda, which was made from the wood initially and later replaced by the brick at the height of 48.24 meters.The west pagoda is named Renshou pagoda, which was built from the timber sent by Wang Shenzhi, the king of Fujian.It was named “emotal pagoda”.It was replaced by brick structure in the northern Song Dynasty and changed again to stone pagoda in the Southern Song Dynasty at the height of 44.06 meters.The west pagoda was built 10 years earlier than the east pagoda
6.Luoyang Bridge
A National cultural relics located over Luoyang River, 20 km northeast off Quanzhou.The construction of the bridge started in 1053 and was completed in 1059.Its length is 834 meters and width, 7 meters, with 31 piers.On the two sides of the bridge, there are fences, on top of which there stand delicately carved lion stone statues.The bridge is also decorated with 7 pavilions, 9 pagodas and knight statues standing at each end.With the unique architecture, the bridge is famous both at home and abroad and has gained the reputation of “No.1 bridge acro the sea”.On the outside of the bridge, there are 500 carved stone railings and 28 carved stone lions, symbolizing 28 famous craftsmen;and 81 Buddha statues, including the Moon Buddha.On the north of the bridge, there is a courtyard, which is known as the No.1 courtyard in the south of Fujian Province.7、Anping Bridge A national key culture relic located at Anhai Town of Jingjiang City, Fujian Province, acce to the highway between Fuzhou and Xiamen and the national road No 324.Anping Bridge extends over the bay between Anhai Township of Jingjiang and Shuitou Township of Anhai.The construction of the bridge started in Shaoxing Year 8 of Song Dynasty(1138)and completed in Shaoxing Year 22(1152).Made of granite piers, the bridge is 2700 meters long and it was the longest bridge in the ancient times, known as “no bridge would be longer than this bridge”.The construction of Anping Bridge is unique, because the original piers were designed in three different shapes: square, semi-boat, and raft.The foundation of the bridge adopted “sunken foundation covered by wood” and wooden piles respectively according to the different earth layer.The surface of the bridge was laid with granite slates of 5-11 meters long and 4.5-25 tons each.The bridge surface was laid by utilizing the rising and falling of the tide.8.Shiniu Mountain the territory of Dehua, in the middle of Fujian Province and the southeast part of mid Daiyun Mountain range.Shiniu Mountain is famous for its vicious cliff, strange-shaped rocks, strange-looked trees and mysterious caves.In the park, there are high mountains and a dense forest, with humid climate, excellent natural environment, and bio-diversity.It is a kingdom of plants and paradise of animals.The major tourism attractions include the main peak of Niushi Mountain, Daixian double water falls, bamboo raft drifting on Taoxian Stream, rubber boat drifting on Shilong Stream, Tadou hot spring, Peach-flower Island, the relics of Fujian Provincial committee building.9.Niumu Forest Ecological Sightseeing Zone As a National AAAA scenic spot and provincial natural reserve, it is located at Xiayang town, the west of Yongchun County, Quanzhou of Fujian Province.Niumu forest is the extension of Daiyun Mountain with an attitude of 1,105 meters.It is the largest and best preserved primary forest at present in South China.The main sightseeing area in Niumu forest ecological zone covers 1,000 ha, consisting over 40 scenic spots.The most famous sites are the ecological and scientific popularization museum, orchid garden, Yongchun Tangerine orchard, Qingqian Liule Garden, Cuckoo Castle, board root, strangled killing, parasitic cauline flower, Fujian phoebe trees, yew, foliage, Woniutan, Zhonglidizhu, Konggulaifeng.The entertainment activities offered for tourists include cable sliding at high altitude, gra ski fashion, mock hunting, standard shooting, archery, and jungle field operation.10.Anxi Qingshui Crag
As National AAAA scenic spot and provincial-level culture relics, it is a tourist attraction and religious shrine, located on Penglai Mountain, 15 km northwest from the Anxi County suburb, the hometown of the Iron Buddha Tea.Covering a total area of 11.1 km2 with the peak reaching the altitude of 767 meters, it consists of the temple and pilgrimage zone, Qiyu(praying for rain)ecological zone, Qinshan Recreation zone and memorial zone.With convenience of transportation, it is about 70 km from Quanzhou, 100 km from Xiamen and 120 km from Zhangzhou.The existing temple was built after 1966 and Qingshui Crag is the burial place of Qingshui master monk, a famous monk in Song Dynasty.There is a belief of Qingshui master monk has a wide influence in the Southern Fujian province, Taiwan and Southeast Asian countries.In Taiwan alone, there are over 200 temples named Qingshui Crag.Quanzhou Delicacies and Specialities
1.Quanzhou Glutinous Rice Dumpling of Meat Stuffing
The glutinous rice dumplings of meat stuffing are made in a dainty procedure.The ingredients are mainly glutinous rice, together with half-fat pork and other ingredients, such as taro, chestnut, bran shrimp, lotus seed, chicken, ham and bamboo shoots.2.Quanzhou Yuanhetang Preserved Fruits and Vegetables
Quanzhou Yuanhetang preserved fruits and vegetables are traditional foods, made from different varieties of fruit and vegetables.They enjoy a great reputation all over the world for their sweet and pleasant taste.“Yuanhetang” is a 80-year-old firm proceing preserved fruits and vegetables.Having the function of nourishing the stomach and spleen;promoting appetite, Yuanhetang products are regarded as the best selection for entertaining guests while drinking tea.Overseas Chinese originally from the Southern Fujian Province like to take Yuanhetang preserved fruits and vegetables back to their residential country while people in China like to choose “Yuanhetang” products as souvenirs for their overseas relatives and friends.3.Anxi Tie Kuan-yin Tea
Anxi Iron Kuanyin Tea also known as heart Kuanyin tea and red shape Kuanyin tea.It is the top quality Wulong Tea, the famous tea produced in Fujian Province.The iron Kuanyin tea produced in Anxi County, Quanzhou Municipality contains a number of biological alkaline, vitamins and tannin, protein and aromatic oil.It has the special function of easing anxiety, improving eyesight, preventing arteriosclerosis and cancer, extending youth and mitigating radiation.4.Quanzhou Puppet Head
Quanzhou puppets have a complete image in structure.The figures are widely selected from the figures and roles in the folk operas and legends, roughly divided into 5 major types: Sheng(male), Dan(young female), Jing(painted face, male), Mo(middle aged male), Chou(clown, male or female).There are over 300 puppet masks, which display beautiful shapes, vivid drawings, clear characters, unique artistic styles and local images.5.Hui-an Granite Sculpture
Hui-an granite sculpture is a folk carving craftwork, made from top quality granite(shining-green rock)and carved finely into different sizes of delicate handicrafts, such as round carving, floating carving, line carving, and shadow carving.The granite sculptures produced in Hui-an can be either large as the size which should be lifted and installed by cranes or can be small as the size which can float on the surface of the water.They are beautiful in shape, fine in workmanship, unique in artistic style and strong in local characteristics.Hui-an granite sculpture has a history of 1600 years, well-known as the “home of granite sculptures”.6.Hui-an Bear Gall
Fujian Guizhentang Pharmacy Development Co.Ltd utilizes the rich resource of bear gall from Qianshan Group and has developed Qianshan brand bear gall products, such as bear gall powder, bear gall health tea and bear gall capsules.The company uses the extracted substances from bear galls with other valuable Chinese herb medicine to develop different varieties of new medicines.Bear galls are bitter in taste and cold in nature, having the function of clearing the heat, relieving spasm, improving eye-sight, and killing worms.According to the Chinese medicine, bear gall is effective in curing red eye disease, sore throat, infantile convulsion of children, indigestion and pain caused by worms.7.Laofanzhi Panacea Leaven
Laofanzhi Panacea Leaven is a proceed traditional Chinese medicine, which is a light grey coloured block in aromatic smell and slightly sweet taste.Having the functioned in adjusting the stomach, nourishing the spleen, expelling wind-evil, settling indigestion, and promoting appetite, resolving wetne, it can be applied to treat flue and cold, heat exhaustion in summer, stomach-ache caused by indigestion and vomiting and diarrhoea.8.Quanzhou Rice sculpture
“Zhauggaoren(rice figure)” is made of ground rice(glutinous rice), wheat flour and pigment.The skill of making the rice figures mainly relies on the dexterous fingers.The tools needed are also simple: small sciors, fine comb, gold paper, feathers, bamboo strap and iron thread.The figures made from the dough are generally taken from the stories in four famous major Chinese works, such as “The master travels to the west with his apprentice to obtain scriptures”, “Three brothers in the Peach Orchard”, “Twelve Golden hairpins” and “Wusong kills tiger”.The figures are vivid.After they are made, it takes several days for them to dry under the sunlight, and then paint with a coat of oil to make them shine and to preserve them for a long time.9.Quanzhou Folk Colour cotta
Quanzhou Folk Colour Cottas are made from paper as figures of ancient operas.The work of making colour cotta is divided into standing work and sitting work.The standing work generally refers to making large scale works, such as “Giant Mountain” “Lingcuo” and “Colour Building while sitting work refers to making fine works, including famous figures, birds and animals.In modern colour cotta techniques, the material is earth, wax, plastics, cloth and silk to enhance the expreive force.The folk colour cotta in Quanzhou has a broad influence in China and overseas.The works of “56 ethnic groups”, “Hui-an maidens”, “Maidens form tea producing area”, “Girls from Fishermen Family”, “Lady of Southern Music” designed by Quanzhou JIngxiu Firm have won excellence prizes on the First China Tourism Souvenir competition, and the prize of the best commodity on the First Fujian Provincial Tourism Fair.10.Yongchun Painted Bamboo Baskets
Yonghcun painted bamboo baskets are unique traditional handicrafts produced locally.They are made from over 20 raw materials, including gold foil, fine bamboo skin, raw paint, Chinese wood oil, Xiabu, dongfen through over 30 procedures of moulding, boiling, lining, and painting for over two months.There are over 100 varieties of products including flat baskets, patterned baskets and full baskets, shaped in round, ridged, hexagon, oval, as well as fruit boxes and painted plates.11Yogchun Paper Woven Picture
Yongchun paper woven pictures are a special traditional handicraft, initiated at the end of Sui Dynasty and the beginning of Tang Dynasty, with a history of over 1400 years.The pictures have been sent to over 40 countries for exhibition, presented to the foreign friends as souvenirs, and have become the “friendship envoy” for the promotion of the diplomatic ties.Yongchun County has been granted by the Ministry of Culture the title “Home of China Paper Woven Pictures” and listed for the protection under the “Folk Art Protection Project”.12.Dehua Ceramics
Dehua ceramics is the traditional craftwork.It was started in the Tang Dynasty, developed in Song and Yuan Dynasty and made a breakthrough in Ming Dynasty.The white ceramics produced in Dehua have the reputation of being “white as snow, thin as paper, smooth as jade”.Dehua ceramics is famous especially for its statue of Kuanyin which was made by the senior master He Chaosong and named “Helai Kuan” after his name.The “Ivory White” ceramic statue developed by him is a valuable object unparallel in the world, known as the “crown jewel in the international ceramic sector”.Quanzhou Folk Culture
1.Quanzhou Ceramic culture
“Dehua has many beautiful ceramics”, is how the Italian traveller Marko Polo described Dehua.Porcelain manufacture has a long history in Dehua.Well-known both in China and overseas for its top quality, fine workmanship, the porcelain industry in Dehua is regarded as one of the three major porcelain capitals in China, together with Jingde town of Jiangxi Province and Lilin of Hunan Province.In Ming Dynasty, the “Ivory White” ceramics developed by the great master He Chaozong surprised the world and was named “China White” by the westerners.People describe Dehua top white porcelain as “white as snow, thin as paper, bright as mirror” and describe Dehua Jianbai porcelain as “smooth and transparent as condensed lipid and frozen jade”.The porcelain Kuanyin made in Dehua is called “Oriental Venus”.2.Culture of Hui-an women costumes
The costume culture of Hui-an women dates back into the ancient China.They wore a yellow scarf, a blue short blouse, silver chain and large trousers, which are unique in the national costume culture.The blue short blouse displays the colour of sea and sky, the yellow bamboo hats symbol the land and beach;the flowery scarf indicates the movement of mountain flowers and sea waves.The blouses are tight and short, exposing the navel, displays their characters of being bold, flexible, but extravert.The costume of Hui-an women is always focused on the body above the waist, especially on the head decoration which differs in patterns, occasions and ages.When Hui-an women attend weddings or ceremonies, the head decoration should be bright and colourful to display the “happine”.The old women of Hui-an usually have a bob on the back of the head and wear a black scarf with pins decorated with beads and flowers, which displays a unique style.4.Quanzhou Opera Culture
Dacheng Play
Dacheng play is also named Fashi Play, Monk Play, Douist play and originated from the religion and folk activities in Quanzhou.Formed by combining Buddhist and Taoist activities, it is a religious play, rarely seen in China.The play provides religious services for both Buddhism and Taoism.Dacheng Play was born in Quanzhou and nourished by Quanzhou folk arts, and is especially deeply influenced by thread controlled puppet plays.After emerging as a new play, it has displayed its uniquene in Southern Fujian folk operas due to its super Kongfu and technique.Dacheng play is known for its kongfu which applies Quanzhou South Shaolin boxing.The opera has preserved lots of folk stunts, acrobatics and dances.By adopting Taoist and Buddhist music, and “Puppet melody” of thread controlled puppets, the music of the opera displays a unique religious charm.Liyuan Opera
Quanzhou Liyuan opera is a rare and valuable opera in China, because it still preserves the characteristics of Southern opera from Tang and Song Dynasties.Originating in Quanzhou, it has spread to Taiwan and the Southeast Asian Countries in the footsteps of the emigrants from Quanzhou.Having preserved a large repertoire of southern opera from Song, Yuan and Ming Dynasties, Liyuan opera has been called the “living foil” of opera and is one of the oldest operas existing in China.Liyuan opera is sung by Quan melody.It has preserved a lot of important music from Tang Dynasty and Song Dynasty and is closely related with the ancient music--Southern Tone.The music of Liyuan opera is mainly played by the bamboo flute and string music instruments.Nanyin(Southern Tone)
Nanyin(Southern tone)is an old and beautiful music and is called the “root of the Chinese national music”.Quanzhou is the cradle of the Southern tone.It has become very popular, after it was enriched, matured and optimized by absorbing the strengths from Central China culture, Fujian culture and maritime culture.Embedded in Quanzhou, Southern tone has not only extended to Southern Fujian Province where Southern Fujian dialect is spoken, but also spread to the Southeast Asian countries, Hong Kong, Macao and Taiwan.By paing from one generation to another, it has become increasingly popular as a “home tone” full of strong paion for the loving the hometown and the motherland.Many Chinese and foreign scholars have complimented Quanzhou southern tone as the “treasure in the Chinese claic music”.
第二篇：武汉黄鹤楼导游词
各位游客朋友们，在游览完黄鹤楼公园南区的景点，品味了黄鹤楼深厚的文化底蕴之后，我们到了黄鹤楼的内部大厅。黄鹤楼的内部设计颇具匠心，五个大厅具有不同的文化层面，分别由神话传说、历史沿革、人文荟萃、传统风韵，三楚精神构成。黄河楼第一层楼大厅的艺术主题是“神话”。我们可以看到，大厅分前后两厅，前厅迎面的这副壁画名为《白云黄鹤图》，此副壁画取材于《驾鹤登仙》的古代神话，兼取唐诗“昔人已乘黄鹤去”之意。大家请看，在画面上有一位仙者驾着黄鹤腾空而起，他口吹玉笛，俯视人间，好象离去，又似归来。画面下方绘有清代形制的黄鹤楼，楼前人群浮动，或把酒吟诗，或载歌载舞，有如送别，又似接风。天上人间，浑然一体，洋溢着神奇而浪漫的气氛。
这里是黄鹤楼二楼大厅，二楼有两幅瓷嵌壁画，孙权筑城和周瑜设宴，孙权筑城以古朴的笔触再现了一千七百多年前的三国时期孙权筑城和始建黄鹤楼的历史场面。周瑜设宴记录了传说中周瑜设宴困刘备于楼上以索回荆洲的故事。两幅壁画之间是唐代阎伯理所写的黄鹤楼记，厅正中是唐宋元明清和现代六个时期的黄鹤楼模型。
现在到了第三楼。三楼是组画“人文荟萃”，它是三幅连成的长卷绣像画，将唐宋两个时期最著名的诗人组织在一起。人物塑造尽量写实，每个人像旁注有其姓名和与黄鹤楼有关的诗句，反映了黄鹤楼是人文荟萃之地。
这里是黄鹤楼四楼大厅，四楼是专门陈列悬挂当代书画家浏览黄鹤楼的即兴作品。居中挂的厅匾取李白诗句“长江万里情”五字，以激发游人的创作情思，匾下是一幅以清代黄鹤楼为实景的巨幅挂毯。
现在我们来到了黄鹤楼五楼的观景台。首先我们看到的是一幅名为“江天浩瀚”的组画，正面墙上的三幅是组画的中心，第一幅由上而下记载了远古的长江文化演替发展的过程。第二幅是在石绿底色上用金线描出的水浪占据了全部画面，使人似乎站到了长江的一个横断面上，感受着急流东去的波涛。第三幅反映的是三国以后黄鹤楼产生和兴废的全过程。其它七幅画绕大厅一周，画在额枋上，分别是：长江源流，上游瀑布，三峡风光，庐山奇景，太湖风光，江流入海和沧海横流。这十幅画面所构成的万里长江图卷完整地再现了长江源远流长，历史悠久。
好，今天的黄鹤楼之行到这里就结束了，谢谢大家！
第三篇：武汉黄鹤楼导游词
游客朋友们，你们好，首先我代表武汉旅行社欢迎大家的到来！能和大家相逢在这美丽的江城并和大家一起度过这段美好的时光我感到十分的荣幸。我是武汉旅行社导游员xx，大家可以叫我小李或李导，这是我们司机王师傅，王师傅开车十几年，有很高的水平和丰富的经验，大家可以放心欣赏窗外的风景。在接下来的时间将由我们两个为大家服务，我一定会尽力安排好各位的行程，大家如果在旅途过程中有什么问题，可以尽管提出来，我们会尽量想办法替您解决。希望我和王师傅的服务使您在这次旅途中感到开心，愉快。
今天我们要去的地方，就是号称天下第一楼的黄鹤楼。黄鹤楼，位于长江南岸，武昌蛇山之巅，始建于三国时期吴黄武二年，即公元223年，距今天已有1700多年历史了。黄鹤楼虽然历史悠久却是历经沧桑，屡建屡毁，历史上最后一座黄鹤楼也叫同治楼于清光绪十年即1884年毁于火灾。我们今天要去的黄鹤楼，是于1981年动工修建，以清朝同治楼为蓝本，用钢筋混泥土框架仿木结构的现代工艺和现代材料于1985年6月建成开放的，说到这楼可以用五个字概括其特点：高、奇、险、美、妙。高就高在山高楼更高，上刺青云与云霞比翼：奇就奇在神仙驾鹤，神化流传；险就险在临江而立；美就美在武汉风光尽收眼底；妙就妙在文人墨客，逸事流传。说了这么多，我想大家也有点迫不及待了吧。正好，大家看，窗外就是黄鹤楼景区了，请大家随我一同下车去游览。
各位游客朋友们，在游览完黄鹤楼公园南区的景点，品味了黄鹤楼深厚的文化底蕴之后，我们到了黄鹤楼的内部大厅。黄鹤楼的内部设计颇具匠心，五个大厅具有不同的文化层面，分别由神话传说、历史沿革、人文荟萃、传统风韵，三楚精神构成。黄河楼第一层楼大厅的艺术主题是"神话"。我们可以看到，大厅分前后两厅，前厅迎面的这副壁画名为《白云黄鹤图》，此副壁画取材于《驾鹤登仙》的古代神话，兼取唐诗"昔人已乘黄鹤去"之意。大家请看，在画面上有一位仙者驾着黄鹤腾空而起，他口吹玉笛，俯视人间，好象离去，又似归来。画面下方绘有清代形制的黄鹤楼，楼前人群浮动，或把酒吟诗，或载歌载舞，有如送别，又似接风。天上人间，浑然一体，洋溢着神奇而浪漫的气氛。
好，现在请大家随我继续往上参观。我们现在所在的位置并非二楼，而是一楼与二楼之间的夹层，俗称跑马廊。这样的跑马廊每两层之间都有，大家可以算一下，黄鹤楼本有五层，再加上每两层之间的跑马廊，内部一共有九层，因此，黄鹤楼又有了外五内九的建筑结构。这里陈列着历史上的名人字画，大家可以欣赏一下。
神话传说固然美妙，但历史却是主宰黄鹤楼命运的真正动力，请大家随我上二楼参观，二楼大厅主要介绍的是黄鹤楼的历史，这边墙壁上是《黄鹤楼记》，它镶嵌在崇阳县出产的大副青石板上，有唐代的阎伯理撰写，当代书法家王遐举书。二楼大厅中还陈列有唐、宋、元、明、清及现代黄鹤楼的六座模型。黄鹤楼素有"千古名楼"、"天下绝景"之誉，不同的时代，由于社会生活的需要不同，科学技术的不同，自然会产生不同的建筑形式和风格。您瞧，这座唐朝的黄鹤楼，一楼和城相连，外看只有两层，整体结构比较简洁粗犷，给人一种古朴雄浑的感觉。再看一下宋代的楼，由楼、台、轩、廊四部分构成，每层翘首重檐，飞达四敞，展现了宋代精致俊逸的艺术风格。元代的形式延续了宋代的风格，明代则依然是两层。请看这边清朝的黄鹤楼，它分三层，第一层有12个檐，代表着一天的12个时辰，第二层12个檐，代表着一年有12个月，第三层有24个檐，代表着一年的24个节气。能将中国的天文历法融入其中，是它最神奇之处了。最后一座就是现在的黄鹤楼了。
任何一件艺术品或者文物，都离不开人文的气息，黄鹤楼当然也不例外。现在我们就到黄鹤楼三楼大厅来品位它的人文主题。大厅内陈列着一组大型陶瓷壁画《人文荟萃流千古》，再现了历史上著名人物来黄鹤楼吟诗作赋的情景。看到如此众多的著名诗人环立在侧，如真人大小，神态栩栩如生，大家一定都会感到黄鹤楼真不愧人文荟萃、百家争鸣吧！看了这么多优美的文学作品，您一定还沉浸在悠远的意境中吧！请大家走出思路，继续我们的游览。
"欲穷千里目，更上一层楼"，我们现在到了黄鹤楼的最高处五楼的跑马廊。从这里放眼望去，西面长江浩浩荡荡直奔东海，长江汉水泾渭分明，江对岸汉口重镇高楼林立，呈现一片繁荣景象；北面京广铁路大动脉穿越城市，武昌江滩美景也尽收眼底；南面是长江第一桥―武汉长江大桥，车流涌动，传流不息，让我们感受到了城市的热情；东面武昌大街小巷一览无余，甚至于市井生活都皆有感受，所以我们不得不说，只有登上了黄鹤楼，你才能把握武汉的脉搏，只有登上了黄鹤楼，你才真正的理解武汉人的生活。美好的时光总是让人感到如此的短暂，我们今天的黄鹤楼之行到这里就结束了。在这次旅行过程中，我的工作还有很多应该做好而没有做好的地方，我能够向大家说的只有―谢谢，谢谢大家对我的大力支持和帮助。如果来年我们有缘再次相会，我愿为大家提供更好的服务。最后祝大家身体健康，万事如意！谢谢大家，再见！
第四篇：武汉黄鹤楼导游词
黄鹤楼位于湖北省武汉市长江南岸的武昌蛇山之巅，濒临万里长江，是国家5A级旅游景区，自古享有“天下江山第一楼“和”天下绝景“之称。黄鹤楼是武汉市标志性建筑，与晴川阁、古琴台并称“武汉三大名胜”。
黄鹤楼始建于三国时代吴黄武二年(公元223年)，三国时期该楼只是夏口城一角t望守戍的“军事楼”，晋灭东吴以后，三国归于一统，该楼在失去其军事价值的同时，随着江夏城地发展，逐步演变成为官商行旅“游必于是”、“宴必于是”的观赏楼。唐代诗人崔颢在此题下《黄鹤楼》一诗，李白在此写下《黄鹤楼送孟浩然之广陵》，历代文人墨客在此留下了许多千古绝唱，使得黄鹤楼自古以来闻名遐迩。
黄鹤楼坐落在海拔61.7米的蛇山顶，京广铁路的列车从楼下呼啸而过。楼高5层，总高度51.4米，建筑面积3219平方米。黄鹤楼内部由72根圆柱支撑，外部有60个翘角向外伸展，屋面用10多万块黄色琉璃瓦覆盖构建而成
黄鹤楼楼外铸铜黄鹤造型、胜像宝塔、牌坊、轩廊、亭阁等一批辅助建筑，将主楼烘托得更加壮丽。主楼周围还建有白云阁、象宝塔、碑廊、山门等建筑。整个建筑具有独特的民族风格，散发出中国传统文化的精神、气质、神韵。它与蛇山脚下的武汉长江大桥交相辉映;登楼远眺，武汉三镇的风光尽收眼底。
第五篇：导游词个性导游词
下面讲解是关于倒要词一些相关范文，如果大家正在关于个性导游词语范文这方面内容，那么大家有眼福咯!希望各位都能够阅读以下文章哦!
最新山陕甘会馆导游词
各位朋友大家好，欢迎您来到山陕甘会馆，大家一路上辛苦了，我是您这次行程的讲解员，大家叫我小刘就可以了，山陕甘会馆导游词。非常荣幸能为大家提供服务，希望我的服务能够给大家带来一段愉快的旅程。
那么现在展现在大家面前的这座建筑就是照壁了，他素雅大方，雄伟壮观，高8.6米，长16.5米。照壁又称照墙、影墙，俗称影壁墙，它主要是作为建筑物前的屏障，挡住外人的视线，使之不能对院内的情况一览无余，同时又作为人们进入院落前停歇和整理衣冠的地方。此外，照壁还具有两个功能，防止金钱外漏和挡住小鬼进屋，因为传说小鬼只会直着走，用照壁的形式挡他一下他就进不来了。
那咱们会馆的照壁呢从上到下分为三个部分，最上面是庑殿顶。庑殿顶是中国建筑等级最高的一种屋顶形式，在故宫当中很多建筑都采用这种形式的屋顶，它是由一条正脊和前后左右四坡相交而成的四条垂脊构成，所以庑殿顶又叫做四阿顶或五脊顶。咱们会馆的木雕、石雕、砖雕技艺精湛、内容丰富，被成为会馆三绝，其中砖雕就主要表现在照壁上。咱们顺着房檐向下看一点儿，那四个突出的圆圆的叫做寿字纹梁头，它们将此部分分成了5个部分，中间又有两个龙形耍头把每个部分又分成了三个部分，所以砖雕的区域从左到右一共为15个部分。
那我们先从左往右数，在第二个区域中呢，我们看到一朵牡丹花插在花瓶当中，大家都知道，牡丹是富贵之花，那花瓶呢?在中国语言中啊有一种特殊的现象，就是我们把音相同的字认为是同意字，因为花瓶的瓶与平安的平相谐音，所以呢，牡丹花插在花瓶当中呢，就是富贵平安的意思了。那我们往右看第三区的位置，我们看到一只小狮子驮着一个宝瓶，狮子的狮与世代的世音相谐，所以狮驼宝瓶就是世代平安了。还有它旁边的那幅，也就是第四区的位置，我们看到两本书。其实这是古代商人记账所用的账本，上面开着的是进账的账本，下面合着的是出账的账本，进账账本压着出账账本，代表只进不出，也是表达多多赚钱，好运连连的愿望了。
从左往右数在第六个区域当中我们看到花瓶之后出现了一把宝剑，那这也很好理解，就是保平安的意思了。商人们在外经商，尤其是像咱们会馆都是山西、陕西、甘肃的商人可以说不远万里的来经商，出门在外，当然最希望的就是自己的家宅平安、财产平安了。那咱们接着向下看，就能够欣赏到咱们会馆的石雕了。相信大家看到照壁的第一眼就已经看到照壁中心的这个图案了。它是一幅二龙戏珠图，这幅图里面是圆的，外面是方的，外圆内方呢这也是对古人天圆地方说的一种具体反映了。我们看这两条龙爪托着的这颗珠子呢既不是珍珠也不是宝珠，也不是中国传统意义上的月明珠或者火焰珠，那如果大家仔细观察的话可以发现，它是一只有眼睛有嘴巴而且还倒挂着的蜘蛛。这蜘蛛，在古代又称为蟢子，是中国传说当中的喜乐之神，二龙戏蟢子，寓意着喜从天降、喜事到来。
还有一种说法是蜘蛛吐丝结网，这同商人的商业网络是非常相似的，也表达了商人网罗全国的愿望。旁边的忠、义、仁、勇四个大字是我市著名的青年书法家也是我市的副市长陈国桢先生精心书写的，这四个字也是对关羽一生的高度概括，说的是关羽一生对国忠、待人义、处事仁、作战勇，这也是为什么人们千百年来崇尚关羽关圣帝君的原因了。大家看身后的这座建筑，上面写着关庙俩字，其实呢这座山陕甘会馆最早是在清朝乾隆年间，由山西和陕西的商人共同集资修建的，后来随着光绪年间甘肃商人的加入，于是改名为山陕甘会馆。会馆的主要收入是靠商户的捐摊，其次就是靠房屋和土地的租赁收入了。当时的山陕甘会馆共计有房屋300多间，土地200多亩，我们现在所能见到的就是关帝庙的部分，还不到当时的五分之一。
参观完照壁后咱们继续向前走。穿过甬道后我们看到的左右两边对称的建筑就是钟鼓二楼了。古代重镇和大型的寺院内都设有钟鼓二楼。咱会馆这钟鼓二楼平面呈正方形，通高12.14米，是由四根通柱擎撑，二层以上又设有12根柱子，为重檐歇山顶，十分的华丽。咱们山陕甘会馆的是开封经过战乱水祸后唯一保存下来清代钟鼓楼，建于清道光年间，您在其他景点看到的都是后来才建造的。我们知道，古人是没有钟表之类的计时工具的，所以人们就以早晨敲钟、晚上击鼓的方式提醒人们时间，这就会让我们自然而然的想起晨钟暮鼓，又仿佛回到了那个日出而作、日落而息的年代。那鼓楼啊还有一个特殊的用途。据记载，鼓楼最早是北魏年间由县令李崇所建，当时是作为擒贼捉盗时传递信息的工具来使用。那咱们都知道烽火狼烟，它和鼓楼的作用也是相同的，但是却没有鼓楼这么方便。可以说，鼓楼是咱们中国人在信息传递上继烽火狼烟之后的又一大创举。
那看完鼓楼二楼以后呢，咱们回过身来看看咱们身后的这座建筑。刚才通过甬道时咱头上面的这个呢就叫做戏楼，上面的就是戏台了。一般较大的会馆都会有戏台，古代的戏台分为两种，一种是三面开口凸出式戏台，长什么样子呢，就是咱们会馆戏台的样子。观众可以从三面观看演员的演出。另一种为一面开口镜框式戏台，跟咱们现在舞台非常的相近。那咱们会馆的戏楼也有它的特别之处，它分为上下两层，上面演戏、下面可供行走，有行走演出两不误的功效。清代和民国的时候有许多名角都在这里演出过，尤其是在清代的时候，每逢正月十
三、五月十三和九月十三都会在这里演大戏来祭祀关羽。大家来看，这座建筑上最有意思的就是旁边的这两幅对联了：幻即是真，世态人情，描写的淋漓尽致;今世犹古，新闻旧事，扮演的毫发不差。台上笑，台下笑台上台下笑惹笑;看古人，看今人，看古看今人看人。由此看来戏楼确实演绎了人间百态。那我们会发现咱站在这里看戏呢时间久了就会感到脖子酸疼、非常不舒服。一向以建筑结构合理著称的中国古典建筑怎么会犯这种错不是错误，那么最佳的观赏位置又是在哪里呢?那我在这里先给大家买个关子，答案咱们待会儿揭晓。
个性导游词语范文
精选香山导游词
山公园位于北京西北郊西山东麓，东南距市中心28公里。最高点为香炉峰，海拔557米，俗称鬼见愁。
香山山顶有巨石两块，叫乳峰石。其形酷似香炉，周围又常有云雾弥漫，如袅袅升空的香烟，香山由此得名。香山景色秀丽，名胜遍布，风光旖旎，极富自然野趣。秋来黄栌换装，漫山红遍，如火如荼，此即香山红叶，是燕京八景之一。香山冬天的景色也很迷人，每当冬雪初晴，一片银妆素裹，分外妖娆，旧燕京八景之一的西山晴雪就指这里。
香山寺，在香山公园内蟾蜍峰北。金大定二十六年(1186年)建，金世宗赐名大永安寺，为香山诸寺之首，静宜园二十八景之一。后遭英法联军和八国联军焚毁，仅存石阶，石坊柱、石屏等遗迹，唯有寺内的听法松依然屹立。香炉峰，俗称鬼见愁。在香山公园西部。此峰高峻陡削，攀登不易，在峰顶可饱览香山全景。近年已建有缆车索道，牵引登山。双清别墅在香山公园内香山寺下。这里原有两股清泉，相传金章宗时称梦感泉。清乾隆在泉旁石崖上题刻双清二字。
1917年熊希龄在此修建别墅，并以此为名。别墅淡雅幽静，山水树石顺其自然。清泉大聚一池，池边有亭，亭后有屋，屋旁有竹，竹影扶疏，秀丽非凡。在此春日赏花，酷夏避暑，秋观红叶，寒冬踏雪，四季景色绮丽，称为香山园中园。眼镜湖，在香山公园北门内。两泓平静的湖水由一座白石拱桥相联，形似眼镜，故此得名。湖的北侧山石叠嶂，峰峦崛起。一洞之上，流泉直下，恰似珠帘垂挂的水帘洞。山花芳草在沟壑石缝和小溪池水旁争奇斗艳，古柏苍松、老槐垂柳交汇成一片清荫。见心斋在香山公园北门内西侧，毗邻眼镜湖。建于明嘉靖年间，几经修葺，是座颇具江南风味的庭院。
香山庭院中心是一平圆形水池，清洌的泉水从石雕的龙口中注入，夏来新荷婷立，金鱼嬉戏。池东、南、北三面回廊环抱，内有一小亭伸入池中。池西有轩榭三间，即见心斋。斋后山石嶙峋，松柏交翠。整个庭院清静幽雅，使人留连忘返。当年乾隆帝曾在此读书和赐宴臣僚。
关于福建莆田九鲤湖导游词
各位团友，大家好： 现在由我为大家服务。
我们现在到达的九鲤湖景区位于仙游县东北隅约25公里的万山之巅，面积29平方公里，平均海拔590米。(因在万山之颠，道路崎岖、陡峭大家要注意安全，互相帮助。)这里以湖、洞、瀑、石四奇著称，尤以飞瀑为最，自古以来有鲤湖飞瀑天下奇之誉;明代大旅行家徐霞客把它与武夷山、玉华洞并称福建三绝。
九鲤湖的由来，还有一段传说：相传汉武帝时，安徽芦江有一个叫何任侠的人生了九个儿子，但除了老大额中间有一只眼睛外，其余八人双目失明。他们不肯参加淮南王刘安的叛乱，而被刘安派人追杀，历尽千辛万难，来到今天九鲤湖所在的山峦之颠，并在此隐居下来修道炼丹、普济众生。有一天风雨大作、雷电交加，突然从湖中跃出九条鲤鱼，身的两侧长出翅膀，九兄弟知道鲤鱼吃了他们的仙丹要升天了于是各乘一条鲤鱼冲天而去，成了神仙。九鲤湖因此而得名。各位团友，现在展现在我们眼前的这座颇具中华民族特色的桥，被称为通仙桥，意为通往人间仙境之桥。也是为风景区的路口。
请大家往下瞧，溪床上那些奇形怪状的溶洞，大家看这些溶洞像什么形状?是不是像仙人炼丹时用的物品形状呢?传说这是仙人炼丹是留下的遗迹。有人曾经把染上颜色的稗谷倒进溶洞里，后来在莆田三江口林兰溪入海处发现了这些稗谷，你们说奇特不奇特?那这些溶洞究竟是什么原因造成的呢?其实这些溶洞乃是大自然的杰作，距今大约7000万年的燕山晚期，由于地壳深部的岩浆侵入，形成了花岗岩体，而花岗岩所含的矿物，经过发育后形成各种形态，在漫长的地壳变迁过程中，在外力的作用下，才形成如今这些溶洞。
团友们，眼前就是九鲤湖。整个湖呈圆形，直径67米。面积不到杭州西湖的十分之一，却可用小巧出雅四个字来形容。清晨、旁晚、入夜都有它的特色美景。为了纪念何氏兄弟而修建的这座祠宇，称为九仙祠。重建于宋淳熙年间，距今已有800多年的历史了。九仙祠又名显灵庙。
据说，九鲤仙人十分灵验，会给虔诚的人托梦指点迷津。因而历代以来,香客络绎不绝,连自称江南第一才子的唐伯虎在考场失意后,千里迢迢来到九鲤湖祈梦。据说，他在此梦得九鲤仙人赠给他一个装有一万条墨锭的囊袋。自此以后,他写的诗更加清新明丽,画的画更为传神。各位团友,九鲤湖的湖水虽迷人,何氏兄弟的故事虽然动人,但我们的九鲤飞瀑却更为吸引人。你们瞧,那石湖上方的进水处,就是第一祭-雷轰祭。此祭落差最小,但由于河床奇特,又不满溶洞,以致水流冲下的时候,发出深沉的轰鸣,声如洪钟,故称雷轰祭。现在请看,这就是石湖的尽头,由于巨石横卧,挡住了湖水的去路。湖水就怒气冲冲向前撞。因而这祭人们称之为瀑布祭。
各位团友,这便是珠帘祭和玉柱祭。大家知不知道黄山有个人字瀑?水在下落时被石脊分为两股,极像一个人字,古人称人字瀑。而玉柱祭的水向下流时,被一块突出的巨石截断。水下落时被溅起来的水珠在阳光的照耀下,像万穿断了线的珍珠飞落下来,珠帘也就因此而得名。玉柱祭以下,尚有五祭瀑布, 石门祭怪石嶙峋,一水斜回,有二石亭亭如门,欲合不合,欲开不开,下涌奔泉上凝云影。五星祭有五块巨石相拥如星,惟妙惟肖,因此得名。飞凤祭因泉水声如鸟语且有飞凤峰而得名。棋盘祭中有一巨石如棋盘,盘有一石如童子在观棋而名之。将军祭中有二石酷似两位勇士当关,故名之。