千文网小编为你整理了多篇相关的《幸福终点站观后感》，但愿对你工作学习有帮助，当然你在千文网还可以找到更多《幸福终点站观后感》。
第一篇：幸福终点站英文观后感
If you are in a foreign country and suddenly hear the smoke of war in your native land, and you have no one to acknowledge your identity, you don't speak the language, you have no money, and you are held at the airport. What should you do?
The great director Steven Spielberg sketched such a background, told such a story, portrayed such a character. Viktor Navorski, a Passenger from Kakonia, arrived at Detroit airport only to be told that there was a coup in Kakonia and that his passport and other forms of identification could no longer be approved for entry. The civil war continues and all flights back home have been grounded. Viktor Navorski became an "unacknowledged man." Unable to return home or set foot in the United States, he had nowhere to go but the terminal, and Airport director Dixon told him to wait. The distraught Victor stayed in the hall. He could not find anyone who could help him because he did not understand English. The few food stamps he had were swept into the trash. Penniless and homeless, he was a desperate man.
Victor begins to look for a place in the terminal. Unused gate 69 became his home, and he washed in the bathroom every day and studied English hard. Soon Victor was copying the others and making money to buy food for the airport carts. But Dixon, the head of the airport, sees him as a problem and antagonizes him everywhere. Dixon arranged for someone to sort out the wheelbarrow, and Victor lost his job. Fortunately, he made friends with the young man who drove the food truck at the airport and the old cleaning man, Gupta, and had food and shelter. Victor encounters a beautiful stewardess, Celia, at the airport and tries to find a job in order to have dinner with her. As it happens, the wall he decorates is discovered by a contractor, and Victor is officially hired -- victor's life is actually on the right track. One day, the airport detained a looking mad Russian man, Dixon could not communicate with him; In desperation he thought of Victor. Victor held Dixon and the man steady. He used what he had learned at the airport to help the man out. Dixon was furious, but Victor became a hero at the Detroit airport. Every store has his handprint on it. He was greeted with a smile by every staff member. Cecilia met him once more. Pressed by Acelia, Victor tells the reason he insists on going to New York: to fulfill his father's last wish, he is going to New York to ask for an autograph from a jazz musician. I won't stop until I get what I want. Ecilia was deeply moved by Victor's sincerity.
On a sunny morning, the civil war in Kakonia was over, and Victor had been trapped in the airport for nine months. While everyone expected him to fulfill his vow, Dixon demanded his immediate return. And to repatriate Indian old man Gupta back to prison as a condition to threaten Victor. For friends Victor only choose to return home. As he waited for his flight, Mr Gupta chose to be arrested in exchange for his friend's dream. Everyone cried. Dixon was no longer in the way. America was open to Victor. New York was open to Victor. He finally fulfilled his promise and could go home in peace.
When America opens up to Victor, ying echoes the line that runs through the film: "Compassion is the most important thing." . Airports are like condensed American society, with all kinds of people, languages, nationalities, cultures... Victor's simple and honest smiling face and flexible brain, as well as his loyal character with friends moved enthusiastic American friends, especially after he saved the Russian man, but also won the recognition of friends of all races and nationalities. The cold law of rigor melts in the heart of compassion. Victor is actually gaining recognition in American culture. The two cultures blend and collide in a small airport, and the last flash is a sincere heart.
In just 120 minutes of clear storytelling, Spielberg uses a fictional story to illustrate his American values. What moves America, what is the most important character? The film tells us that it is perseverance and compassion.
第二篇：幸福终点站英文观后感
The Terminal, finished. Turns out it's another jazz fairy tale. Hanks' Victor Nowalski keeps holding a peanut butter jar and everyone wants to know what's inside. Later he told his friends at the airport that it was Jazz. He later told Zeta Jones that it was a promise. It contained the autographs of 56 jazz masters, for which his father had sent many letters in English to America. His dad had a picture of 57 jazz masters, and his dad got 56 autographs, one short, and died. Nowalski promised his dad he'd get to New York for one last autograph.
It turns out that the movie celebrates two things americans are most proud of: New York City and jazz.
New York stands for freedom.
The Terminal, too good to be true, tells a story that could only happen in a fairy tale. Zeta Jones, who looks 25, says she's 39. The old man who stabbed a cop in India was working as a cleaner at the airport in New York. After living in the airport for nine months because of passport issues, nowalski landed a job as a decorator, earning more than a customs officer, and bought a HUGOBOSS suit from an airport clothing store in order to date zeta-jones. They even made a giant fountain out of the airport's drinking pool and broken dishes.
So the Terminal is about America, about jazz, about freedom, about love, about destiny. The fairy tale. However, a fairy tale is a fairy tale, no matter how false it is, it will make people like it. It's like watching Grimm's fairy tales as a kid, wishing they were true even though they weren't.
There is never anything so simple and beautiful in reality, so let them all happen in fairy tales.
Always wanted to revisit the Smurfs again. Recently suddenly found that can download, so download a set to see, but look but disappointed. It was all for children's amusement, and now it feels silly. Still, I can't erase the Smurfs from my childhood.
Speaking of The Terminal, I couldn't help but think of the Smurfs. Later in the film, the customs officers in "The Terminal" seem intent on working against Nowalski by not letting him set foot in New York. I can't help but think of Gargamel, in the beginning of the Smurfs, Gargamel runs after the Smurfs yelling, "I hate you, I'm going to take you all." Gargamel, who felt so terrible when he was a child, turned out that the reason he wanted to catch the Smurfs was just because he hated them, and catching all the Smurfs became his career.
There needs to be a villain in every story, or there won't be dramatic conflict. And all the bad guys don't have a bad enough motive. That's the fairy tale.
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