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If you are in a foreign country and suddenly hear the smoke of war in your native land, and you have no one to acknowledge your identity, you don't speak the language, you have no money, and you are held at the airport. What should you do?
The great director Steven Spielberg sketched such a background, told such a story, portrayed such a character. Viktor Navorski, a Passenger from Kakonia, arrived at Detroit airport only to be told that there was a coup in Kakonia and that his passport and other forms of identification could no longer be approved for entry. The civil war continues and all flights back home have been grounded. Viktor Navorski became an "unacknowledged man." Unable to return home or set foot in the United States, he had nowhere to go but the terminal, and Airport director Dixon told him to wait. The distraught Victor stayed in the hall. He could not find anyone who could help him because he did not understand English. The few food stamps he had were swept into the trash. Penniless and homeless, he was a desperate man.
Victor begins to look for a place in the terminal. Unused gate 69 became his home, and he washed in the bathroom every day and studied English hard. Soon Victor was copying the others and making money to buy food for the airport carts. But Dixon, the head of the airport, sees him as a problem and antagonizes him everywhere. Dixon arranged for someone to sort out the wheelbarrow, and Victor lost his job. Fortunately, he made friends with the young man who drove the food truck at the airport and the old cleaning man, Gupta, and had food and shelter. Victor encounters a beautiful stewardess, Celia, at the airport and tries to find a job in order to have dinner with her. As it happens, the wall he decorates is discovered by a contractor, and Victor is officially hired -- victor's life is actually on the right track. One day, the airport detained a looking mad Russian man, Dixon could not communicate with him; In desperation he thought of Victor. Victor held Dixon and the man steady. He used what he had learned at the airport to help the man out. Dixon was furious, but Victor became a hero at the Detroit airport. Every store has his handprint on it. He was greeted with a smile by every staff member. Cecilia met him once more. Pressed by Acelia, Victor tells the reason he insists on going to New York: to fulfill his father's last wish, he is going to New York to ask for an autograph from a jazz musician. I won't stop until I get what I want. Ecilia was deeply moved by Victor's sincerity.
On a sunny morning, the civil war in Kakonia was over, and Victor had been trapped in the airport for nine months. While everyone expected him to fulfill his vow, Dixon demanded his immediate return. And to repatriate Indian old man Gupta back to prison as a condition to threaten Victor. For friends Victor only choose to return home. As he waited for his flight, Mr Gupta chose to be arrested in exchange for his friend's dream. Everyone cried. Dixon was no longer in the way. America was open to Victor. New York was open to Victor. He finally fulfilled his promise and could go home in peace.
When America opens up to Victor, ying echoes the line that runs through the film: "Compassion is the most important thing." . Airports are like condensed American society, with all kinds of people, languages, nationalities, cultures... Victor's simple and honest smiling face and flexible brain, as well as his loyal character with friends moved enthusiastic American friends, especially after he saved the Russian man, but also won the recognition of friends of all races and nationalities. The cold law of rigor melts in the heart of compassion. Victor is actually gaining recognition in American culture. The two cultures blend and collide in a small airport, and the last flash is a sincere heart.
In just 120 minutes of clear storytelling, Spielberg uses a fictional story to illustrate his American values. What moves America, what is the most important character? The film tells us that it is perseverance and compassion.
The Terminal is a good film that is funny, entertaining and deals with some good ol fashioned drama situations. It felt very much like a documentary at times, maybe due to the fact its based on a true story from the 1980s, but that didnt retract from the enjoyment factor. To say its a story all about the trials and tribulations of just one man is perhaps a little too shallower way to sum it up but at certain times, you do wonder if the films going anywhere. Such it is that the film DOES contain a few laughable moments adding to its comedy tag.
These come at certain intervals and everything in-between is just filla. So there are some good, comic moments but in my opinion, there arent as many funny parts to make you laugh all the way through. The film deals with slapstick humour in parts such as slipping over a wet floor or walking into a window. Its those sort of moments that do sort of distract from the film slightly.
Some of the stories within the film also feel generally annoying in the sense of the point of them being there. The film was supposed to be about one man (Hanks) I thought, NOT solely about anyone else and so I was rather surprised to see the little story about the food/cafeteria delivery worker attempting to get one of the other airport workers to fall in love with him. Things like that were flawed and distracted from the actual film. As I said before, that particular story line acted as a filla; a way of upping the film length and it was disappointing.
Hanks acting is good and although his accent was terribly annoying early on, I managed to adjust accordingly and with stand it all the way through. The character Gupta is also rather amusing; using the simple concept of forcing people to slip up on his own polished floor merely for his amusement was rather odd- odd but funny none-the-less. Zeta-Jones character and performance was also tolerable. She wasnt in the film much I didnt notice but its a good feeling when you realize Hanks has someone to really relate to as you stat to feel as if your feeling sorry for Hanks if you get into it too much and the acting from Zeta- Jones is some relief at least.
All in all I think youll enjoy The Terminal if youre the patient type. Its got a bit of humour, a bit of tragedy, a hint of romance and some moments where youll really feel good for the characters as they finally get what they want after the last half an hour or so was probably built up to will it/they or wont it/they not to mention the film itself on Hanks struggle with staying in the airport.
遇见男主维克多时,艾米莉亚并没有和那个男人了断。她还在等待,等待他能离开原本的家庭,给自己一个完整的家。
直到维克多一次又一次地出现在自己身边,默默陪伴着自己,逗自己开心时,艾米莉亚才幡然醒悟:“原来人生不止一种选择,我也可以拥有一段普通又简单,不用藏起来的感情。”
于是,在维克多的多次邀请下,她终于答应和他共进晚餐。两个人在机场的餐厅里,享受着美食和美酒,一切都是那么美好。
因为维克多,艾米莉亚终于鼓起勇气,离开了那个依恋多年的男人。她扔掉那个随时等待对方来电的手机,把对方所有的联系方式删除,想从此和维克多单纯地在一起。
可是,那么多年的感情,又岂是说忘就忘呢?
维克多是个好男人,可他始终不是艾米莉亚爱的人。艾米莉亚之所以会答应和他交往,是因他能给艾米莉亚一种新鲜的生活方式。那种不需要忍受别人眼光,自由地谈恋爱的生活方式。
可当两个人真的开始交往后,艾米莉亚才发现,她还是忘不了之前的感情。
所以当维克多的签证生效,可以返回国家时。艾米莉亚还是离开了维克多,重新回到了当初那个男人身边。
结局时,艾米莉亚望着伤心的维克多说:“一切都是命运。”
兜兜转转,艾米莉亚还是回到了原点。原本她可以和维克多一起幸福地生活,可她偏偏还要再回去当那个第三者。
她的偏执,或许才是她所有悲剧的源头,
在生活中,有很多人像艾米莉亚一样,明明知道自己做第三者是错的,可是却始终不愿意走出来。
她们以为自己终有一天能收获幸福,但其实,通往幸福的道路只有一条,那就是在道德的底线之上争取自己爱情。其它那些不被道德所允许的感情,只不过是在满足自己不切实际的幻想。
走得多了,也就离幸福越来越远了。
像艾米莉亚这种女人,在感情上的悲剧,是注定的。
初看到《幸福终点站》这部电影的名字,一直在猜测故事情节。以为是一个悲伤的结局,毕竟“幸福”到了“终点”了,还有什么幸福可言呢?而真正看完这部电影才知道,原来所谓的“终点”就是幸福来临了。起初对于名字的误解或许就是思维惯式导致的吧。
这部电影开篇就涉及到了一些敏感的问题,比如说指责中国游客制作了假的证件来蒙混过关。这样指名道姓的言论似乎欠缺考虑吧?剧本作者应该知道这样的敏感问题不能这么公开发表吧?但是为什么还是义无反顾的播出了?我想在这点上应该有生活中的原型,在这里我们就不过多的说这个问题了。
抛开这些稍显敏感的话题,我只是想大致的谈谈主角维克多的经历以及我自己的一些看法感受。
电影一开始是比较搞笑的。由于维克多对英语只是粗略的了解,在与机场管理人员对话时,他幽默感十足。那时候他并不知道自己的国家因为战争已经内乱,在政治意义上他的祖国已经消失了。管理人员在与他解释的时候,他还蒙然不知。
似乎意识到了什么,他在返回机场候车厅的时候,看到机场电视里关于他的国家的报道,即使他听不懂英语,但从图像上看到的一切也足以让他明白自己的国家发生了战争,那一刻,他就像失去灵魂一般,那种焦急和恐惧狠狠地向他席卷而来,他不停的奔跑于机场之中,想证明什么,在我看来,这样或许能减轻一点他的不安。终于,他的心灵还是崩溃了,他接受了一事实。可想而知,当时他有多么的无助,在一个陌生的国家,语言不通,寸步难行,连最基本的衣食住行都是个问题。
刚开始,机场的任何人都没有向他伸出援助之手,就连政府都不曾想要接受这个“麻烦”,他没有办法,他只能等,等自己的国家结束战争,等自己恢复身份,等有一天可以完成自己的诺言。
片中的好多情节都深深地打动着我:第一,当机场管理员需要维克多回答对自己的国家恐惧的时候,他毅然决然的说不,“这是我的祖国,我的家,我为什么要怕”就是这么简单的一句话,可以看出维克多对于祖国的热爱是有多么的执著,没有什么能改变祖国在心中的地位,战争也好,政变内乱也好,祖国永远是祖国,永远是家。这种执念的力量是巨大的,没有什么可以改变。
第二,就是机场里面的工作人员,也就是打扫卫生的老人以及其他两位,他们一开始也是对维克多不待见,但是随着时间的推移,他们慢慢接受了他,并和他一起相处,渐渐生出友谊之情。他帮助其中一位小伙子追求安检的女孩,最终使他们两个走到一起。这也是他的善良之处,虽然与他自己的利益相挂钩。
第三,他的工作技能还是不错的,无意间的展示倒是让建筑工人发现了他,解决了他的经济问题。他不必在机场做服务,也不必求着机场里那些店主来给自己一份工作。他靠着自己的能力,解决了自己的生活问题。这份精神一般人是做不到的。
第四,由于“山羊”一词,他彻底被机场里的人所接受。他的“山羊”救了一个儿子的孝心,他的“山羊”成就了他被人接受的资本,他的壮举深深烙印在机场各种工作人员的心里。我们可以看到,对于这个社会,并不是完全的冷漠,人与人之间的交往还是很温暖的。
第五,当维克多被机场高官威胁时,将要对他最初认识的三个伙伴进行惩罚的时候,他为了保护自己的朋友,宁愿放弃自己的承诺。他不愿他们受到伤害,更不要说因为他。所以他放弃了,但是他的朋友却为他牺牲了。只因为他的等待和承诺。让他有更多的时间去完成自己的诺言。
直到后来,我们才知道维克多等待的只是一个诺言,他承诺过他死去的父亲的诺言。在大家的帮助下,他最终完成了自己的承诺。
其中动人的情节很多,触动人心的东西也不少。我只是简单的说说我的看法,也许并不深刻,但这就是我初次看这部影片的感受。
电影《幸福终点站》讲述了男主角维克多为完成父亲的遗愿――获得爵士乐明星高乐的亲笔签名而前往纽约,却因国家发生政变,身份不被认可而滞留机场的故事。维克多在机场等待的九个月里,学会了照料自己的生活,甚至找到了一份建筑工的工作。凭借一颗善心,维克多在机场结识了很多好朋友并赢得了颇高的人气,在朋友的支持下,维克多冲破了机场官员弗兰克的重重刁难,在祖国战争结束,自己身份重新被认可之时踏上纽约的土地,完成了父亲的遗愿。
这部影片中有很多因维克多笨拙的表现而引发笑料的镜头,但与其说这是一部喜剧片不如说这是一部立志的教育片。在电视上看到祖国饱受战争的蹂躏,维克多忧愁悲哀,我看到一颗热爱祖国的赤子之心;在官员弗兰克的阻挠下,维克多在机场自力更生,我看到一股坚强不跨的生命力;维克多坚守完成父亲遗愿的信念,没有被弗兰克的势力吓倒,我看到一种敢于为履行承诺而牺牲一切的精神。
维克多执著地完成父亲的遗愿,履行自己的承诺是贯穿影片的线索,是影片的一大亮点,也是打动我们所在。对于一个常人来说,国家遭难,身份不被认可已是一个巨大的打击,在被遣返的状况下可能会抛弃初衷,以后再找机会收拾残局。但维克多始终将自己的承诺当作一盏新灯,它发出的光亮是维克多毅力不倒的动力来源,尽管外部环境艰苦,茫茫人海中没有熟识的人能够帮自己的忙,维克多心中的承诺促使他靠双手谋生计,并赢得了一份感情。维克多心中的承诺是他期望的燃料,维系着他内心的执著。影片结尾处维克多抱着装了亲笔签名的罐头并奉上深情一吻的镜头深深地打动了我,这个吻出自对自己履行完承诺的喜悦与自豪,出自对已逝父亲的怀念,出自对自己许下承诺的爱。
放眼当下社会,欺骗与谎言似乎一向侵噬着人们的生活久久不肯退去,浮躁的氛围似乎早已容不下一颗坚守的心,我们往往被眼前的诱惑与便利迷离了双眼,忘却了最初的方向,丢弃了自己的信仰,将自己当初信誓旦旦许下的承诺随手一掷,任其沉入深不可勘的海底。或许我们贞德就应波开内心的樊篱,从维克多那深情而自豪的一吻中感悟到一些人生的真谛。