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第一篇：名著读后感英语作文
名著读后感英语作文
miss austen never attempts to describe a scene or a class of society with which she was not herself thoroughly acquainted. the conversations of ladies with ladies, or of ladies and gentlemen together, are given, but no instance occurs of a scene in which men only are present. the uniform quality of her work is one most remarkable point to be observed in it. let a volume be opened at any place: there is the same good english, the same refined style, the same simplicity and truth. there is never any deviation into the unnatural or exaggerated; and how worthy of all love and respect is the finely disciplined genius which rejects the forcible but transient modes of stimulating interest which can so easily be employed when desired, and which knows how to trust to the never-failing principles of human nature! this very trust has sometimes been made an objection to miss austen, and she has been accused of writing dull stories about ordinary people. but her supposed ordinary people are really not such very ordinary people. let anyone who is inclined to criticise on this score endeavor to construct one character from among the ordinary people of his own acquaintance that shall be capable of interesting any reader for ten minutes. it will then be found how great has been the discrimination of miss austen in the selection of her characters, and how skillful is her treatment in the management of them. it is true that the events are for the most part those of daily life, and the feelings are those connected with the usual joys and griefs of familiar existence; but these are the very events and feelings upon which the happiness or misery of most of us depends; and the field which embraces them, to the exclusion of the wonderful, the sentimental, and the historical, is surely large enough, as it certainly admits of the most profitable
cultivation. in the end, too, the novel of daily real life is that of which we are least apt to weary: a round offancy balls would tire the most vigorous admirers of variety in costume, and the return to plain clothes would be hailed with greater delight than their occasional relinquishment ever gives. miss austen's personages are always in plain clothes, but no two suits are alike: all are worn with their appropriate differen as we should expect from such a life, jane austen's view of the world is genial, kindly, and, we repeat, free from anything like cynicism. it is that of a clear-sighted and somewhat satirical onlooker, loving what deserves love, and amusing herself with the foibles, the self-deceptions, the affectations of humanity. refined almost to fastidiousness, she is hard upon vulgarity; not, however, on good-natured vulgarity, such as that of mrs. jennings in "sense and sensibility," but on vulgarity like that of miss steele, in the same novel, combined at once with effrontery and with meanness of soul....
第二篇：电影观后感英文
When you assume battle stations for "Pearl Harbor," make sure you sit near the aisle. Youve got three hours to withstand, and only about half of it is war. This is definitely a two-bathroom visit movie.
Its not the length that makes a movie good or bad. Its the pacing. Some three-hour movies, like "Lawrence of Arabia," just glide by. But movies like "Pearl Harbor" drag along because they . . . take . . . their . . . time . . . about . . . everything.
Put it this way: When a Japanese military officer reports that "the task force" is 320 miles north of Pearl Harbor, were one hour and 20 minutes into the movie. By then, youre ready to bomb something yourself.
Perhaps they should have called this "Bore-a, Bore-a, Bore-a."
Incidentally, although this Walt Disney movie is based, inspired and even partially informed by a real event referred to as Pearl Harbor, the movie is actually based on the movies "Top Gun," "Titanic" and "Saving Private Ryan." Dont get confused.
And dont be worried about emotional intensity. Its going to take a special effort on your part (probably informed by firsthand wartime experience in World War II) to actually appreciate the emotional impact of what happened on Dec. 7, 1941. "Pearl Harbor"-the-movie, produced by Jerry Bruckheimer and Michael Bay (also the director), doesnt evoke that time so much as turn it into a pre-Fourth of July fireworks show.
The movies emotional impact is not helped by the characters. By the time the Japanese are blowing ships out of the water, we have met (and already become sick of) our blandly delineated sweethearts, flying-crazy pilot Rafe McCawley (Ben Affleck) and intelligent, dedicated nurse Evelyn Johnson (Kate Beckinsale).
We have also observed the lifelong friendship between Rafe and his pal Danny Walker (Josh Hartnett). The movie starts with Rafe and Danny as kids, sitting in a motionless crop duster plane, pretending to shoot enemy planes. Some two hours later, theyll be mounting the American counterattack against the Japanese. "Danny, lets play some chicken with these Jap suckers!" yells Rafe.
In what amounts to a superfluous first hour, Rafe, desperate for military action in pre-Pearl Harbor days, volunteers for the Royal Air Force. Suddenly, hes missing, leaving Evelyn and Danny to pick up the pieces and each other. Why waste time worrying if hell reappear in time for Pearl Harbor as well as a romantic dogfight with Danny? Hes Ben Affleck, the movies top-billed player.
Theres more to this so-so movie, including a completely formulaic subplot starring Cuba Gooding Jr. as a ships cook who boxes and machine-guns his way to r-e-s-p-e-c-t (loosely based on a real person, Doris "Dorie" Miller), and Hans Zimmers relentlessly syrupy score. But lets cut to the chase: those central 40 minutes of blitzkrieg special effects. Isnt that why people will be lining the block? My take: The visuals are well done but not mind-blowingly memorable. It would take a director far more gifted than Bay to outdo James Cameron in "Titanic." Perhaps intimidated by this, Bay gives us many scenes featuring marooned men in the water, and many others stuck inside majestic, sinking hulls. And when the Japanese planes strafe those men, he goes underwater C like Steven Spielberg did in "Saving Private Ryan" C to show the cool, glossy white trajectories the tracer bullets make underwater.
Obviously, imitation will get you everywhere.