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各位老师,各位同学:
大家好!我演讲的题目是“决不轻言放弃,勇敢面对挫折”。
作为即将参加高考的高三学子,或许三年高中,我们即将结束,但在人生征途中,我们却永远在路上。一路来我们获得过掌声,也遭逢过挫折。
月考后的几家欢乐几家愁,就是最好的证明。面对成绩,无疑要胜而不骄,再接再厉;而面对失败,我们则要坚定地说,切莫放弃。
林肯先生,24岁经商失败,26岁恋人死去,27岁精神崩溃,中年时代多次竞选参议员和副总统,均告失败。或许只有这些,才能算得上人生中真正的挫折。
可面对这么多挫折,林肯并没有放弃自己的追求,而是仍旧坚持不懈地努力。最终,他成为了美国第十六任总统。正是因为决不在挫折面前轻言放弃,林肯最终实现了自己的理想。
战胜挫折走向成功的,不仅仅只有林肯总统一人。
著名作家马克·吐温还是一名“文学爱好者”时,写了一篇自我感觉很好的小说,他满怀信心的送到书商那里,不料竟遭到书商的冷嘲热讽:
“难吃的菜吃一口就够了,这是我见过的最烂的书稿,像你这样的作者这一辈子也别想找出愿意出版你的书的人。别浪费时间了,趁早干点别的活儿把!”多年以后,马克·吐温再次见到了那位书商,对他说:“这些年来,我日日夜夜都在想怎样摆脱折磨你方解心头之恨,事实上,我正是这么熬过来的。”马克吐温此时的调侃,活脱脱的证明了人们最出色的工作往往是在逆境与挫折中做出来的。然而,有些人,对于挫折,却总是有消极的思想。
生活中,我们经常在报纸与新闻中看到有人因为生活中的挫折而自杀。
我想不明白,是什么样的挫折,可以让人放弃身上最宝贵的财富——生命!
好死不如赖活着,活着,就代表着希望,代表着一切都可以从头开始。而死亡呢?能带来什么?解脱?你自己是解脱了,你的亲人呢?你的朋友呢?你所爱的和爱你的人呢?你给他们带来的除了悲伤,除了难过,还有吗?这是多么自私的一种做法啊!为什么,不能用自己的双手,来克服那一个个挫折呢?命运,是掌握在我们自己的手中的!
其实,只要我们有了积极的人生态度,向学习、生活中的艰难困苦挑战,不被困难所吓倒,不言放弃,就一定会历经风雨见彩虹,赢得高的胜利,谱写精彩的人生。
20xx年,牛津大学举办了一个“成功的秘诀”讲座,邀请丘吉尔演讲。人们想像着这样一个大人物会透露出怎么样的成功秘诀。不想却只听到几句话:“我的成功秘诀有三个:第一是‘决不放弃’,第二是‘决不、决不放弃’;第三是‘决不、决不、决不放弃’!”会场上沉寂片刻,随即爆发出雷鸣般的掌声,经久不息。生活处处多风险,逆境往往多于顺势。在困难的时候,要看到希望,看到光明,成功往往就在再坚持一下的努力中。不言放弃,成功的秘诀有时就这么简单。明白这一点,我们的求学之路会更顺畅,我们的理想会更接近。
如今的我们,将理想分成了几个小目标,一个一个地去奋斗、去努力。倘若我们因为一点小小的挫折就轻易说放弃,那些目标又有什么意义?上苍赋予我们生命,就是要我们去不懈地拼搏啊。
同学们,决不轻言放弃,勇敢面对挫折是一种美德,更是一种积极的人生态度。我们无法创造命运,但我们可以用实际行动改变命运,我们可以向命运中的艰难困苦挑战。不被挫折所吓倒,不言放弃,终能历经风雨见彩虹,谱写精彩的人生。
桑兰摔残了肢体,张海迪高位截瘫,贝多芬双耳失聪,海伦·凯勒的生命中没有光明与黑暗,可他们从未放弃自己对美好理想的追求。正是不轻言放弃,勇敢面对挫折让她们有了壮美的人生,赢得了世人的尊重。
白驹过隙,流水无痕。在匆匆忙忙的尘世中,我们能做的只有不懈地努力,不懈地奋斗,最终实现自己的理想。这,才是我们生命的意义。
无论前面的路多么坎坷,“决不轻言放弃,勇敢面对挫折”将永远是我们人生追求的永恒动力。
我的演讲完毕,谢谢大家!
大家好!
人生是短暂而又孤独的,人必须独立坚强的战斗下去,走自己认为正确的道路,不能有丝毫的犹豫与放松。否则就会被时代所淘汰。
正如前几天所报道的一样,美国苹果公司执行官兼总裁史蒂夫乔布斯去世了,媒体网络都相继报道了起来,成为了论坛话题,很多人都为此感到了惊讶与惋惜,但从背后的角度来看,乔布斯的去世不得不说是苹果传奇的结束,自乔布斯1977年创立苹果公司以来,苹果公司一直保持着电子商业界的不朽传奇,第一年就得到了盈利,之后经过公司的不断创新,苹果成为人们不断选择的电子品牌之一,正因为有乔布斯在,才有了苹果的今天,从而带动了电子商业界,使世界不断走向电子科技化,他为电子界写下了光辉的一笔,实现了自己的人生价值,他死的是重于泰山。
人生带给我们的酸甜苦辣,对我们来说都是一种很好的经验,会使我们逐渐成长,正是人类社会有了这种思想,我们的社会才得以一代代延续下来,我们的生活才一天比一天好,人生才有了价值。
相信自己,不断向前看齐,坚定黎明后会是阳光,为人生上色,走出一条自己绘画的人生彩图,使它绚丽起来,做的自己,不断向前迈进,去走向黎明后的彼岸,铺设辉煌的人生。
I was one of the only kids in college who had a reason to go to the P.O.bo_ at the end of the day, and that was mainly because my mother has neverbelieved in email, in Facebook, in te_ting or cell phones in general. And sowhile other kids were BBM-ing their parents, I was literally waiting by themailbo_ to get a letter from home to see how the weekend had gone, which was alittle frustrating when Grandma was in the hospital, but I was just looking forsome sort of scribble, some unkempt cursive from my mother.
And so when I moved to New York City after college and got completelysucker-punched in the face by depression, I did the only thing I could think ofat the time. I wrote those same kinds of letters that my mother had written mefor strangers, and tucked them all throughout the city, dozens and dozens ofthem. I left them everywhere, in cafes and in libraries, at the U.N.,everywhere. I blogged about those letters and the days when they were necessary,and I posed a kind of crazy promise to the Internet: that if you asked me for ahand-written letter, I would write you one, no questions asked. Overnight, myinbo_ morphed into this harbor of heartbreak -- a single mother in Sacramento, agirl being bullied in rural Kansas, all asking me, a 22-year-old girl who barelyeven knew her own coffee order, to write them a love letter and give them areason to wait by the mailbo_.
Well, today I fuel a global organization that is fueled by those trips tothe mailbo_, fueled by the ways in which we can harness social media like neverbefore to write and mail strangers letters when they need them most, but most ofall, fueled by crates of mail like this one, my trusty mail crate, filled withthe scriptings of ordinary people, strangers writing letters to other strangersnot because they're ever going to meet and laugh over a cup of coffee, butbecause they have found one another by way of letter-writing.
But, you know, the thing that always gets me about these letters is thatmost of them have been written by people that have never known themselves lovedon a piece of paper. They could not tell you about the ink of their own loveletters. They're the ones from my generation, the ones of us that have grown upinto a world where everything is paperless, and where some of our bestconversations have happened upon a screen. We have learned to diary our painonto Facebook, and we speak swiftly in 140 characters or less.
But what if it's not about efficiency this time? I was on the subwayyesterday with this mail crate, which is a conversation starter, let me tellyou. If you ever need one, just carry one of these. (Laughter) And a man juststared at me, and he was like, "Well, why don't you use the Internet?" And Ithought, "Well, sir, I am not a strategist, nor am I specialist. I am merely astoryteller." And so I could tell you about a woman whose husband has just comehome from Afghanistan, and she is having a hard time unearthing this thingcalled conversation, and so she tucks love letters throughout the house as a wayto say, "Come back to me. Find me when you can." Or a girl who decides that sheis going to leave love letters around her campus in Dubuque, Iowa, only to findher efforts ripple-effected the ne_t day when she walks out onto the quad andfinds love letters hanging from the trees, tucked in the bushes and the benches.Or the man who decides that he is going to take his life, uses Facebook as a wayto say goodbye to friends and family. Well, tonight he sleeps safely with astack of letters just like this one tucked beneath his pillow, scripted bystrangers who were there for him when.
These are the kinds of stories that convinced me that letter-writing willnever again need to flip back her hair and talk about efficiency, because she isan art form now, all the parts of her, the signing, the scripting, the mailing,the doodles in the margins. The mere fact that somebody would even just sitdown, pull out a piece of paper and think about someone the whole way through,with an intention that is so much harder to unearth when the browser is up andthe iPhone is pinging and we've got si_ conversations rolling in at once, thatis an art form that does not fall down to the Goliath of "get faster," no matterhow many social networks we might join. We still clutch close these letters toour chest, to the words that speak louder than loud, when we turn pages intopalettes to say the things that we have needed to say, the words that we haveneeded to write, to sisters and brothers and even to strangers, for far toolong. Thank you.
On what we think we know?
我们以为自己知道的
I'm going to try and explain why it is that perhaps we don't understand as much as we think we do. I'd like to begin with four questions. This is not some sort of cultural thing for the time of year. That's an in-joke, by the way.
我会试着解释为何 我们知道的东西很可能并没有我们自以为知道的多 我想从四个问题开始,不是那种今年流行的文化问题 对了,刚刚那句是个圈内笑话
But these four questions, actually, are ones that people who even know quite a lot about science find quite hard. And they're questions that I've asked of science television producers, of audiences of science educators -- so that's science teachers -- and also of seven-year-olds, and I find that the seven-year-olds do marginally better than the other audiences, which is somewhat surprising.
不过这四个问题,事实上 即使是很懂科学的人也会觉得很难应答 我拿这些问题去问科学节目制片人 问那些有科学教育背景的观众 也问教科学的老师还有七岁孩童 我发现七岁孩童答得比其他人好 这是有些令人惊讶
So the first question, and you might want to write this down, either on a bit of paper, physically, or a virtual piece of paper in your head. And, for viewers at home, you can try this as well.
第一个问题,我建议你把问题记下来 抄在纸上,或想像中的纸上 坐在电脑前的你也可以试著作答.
A little seed weighs next to nothing and a tree weighs a lot, right? I think we agree on that. Where does the tree get the stuff that makes up this chair, right? Where does all this stuff come from?
种籽很轻,而大树很重,是吗?我想我们都同意吧,大树用来制成椅子的东西是从哪来的? 对吧?这些东西都是怎么来的?
(Knocks)
(敲椅声)
And your next question is, can you light a little torch-bulb with a battery, a bulb and one piece of wire? And would you be able to, kind of, draw a -- you don't have to draw the diagram, but would you be able to draw the diagram, if you had to do it? Or would you just say, that's actually not possible?
问题二,你能否点亮一个小灯泡 只用1个电池、1个灯泡、和1条电线? 那你能画出上述问题的图解吗?不用真的画 但如果需要的话, 你能画出来吗? 还是你会说 这个不可能?
The third question is, why is it hotter in summer than in winter? I think we can probably agree that it is hotter in summer than in winter, but why? And finally, would you be able to -- and you can sort of scribble it, if you like -- scribble a plan diagram of the solar system, showing the shape of the planets' orbits? Would you be able to do that? And if you can, just scribble a pattern.
第三个问题,为什么夏天比冬天热? 大家应该都同意夏天比冬天还热 但为何如此?最后,你能不能 简单的勾勒出 太阳系的平面图... 呈现出行星轨道运行的形状 你可以画得出来吗? 你画得出来的话,就把形状画出来
OK. Now, children get their ideas not from teachers, as teachers often think, but actually from common sense, from experience of the world around them, from all the things that go on between them and their peers, and their carers, and their parents, and all of that. Experience. And one of the great experts in this field, of course, was, bless him, Cardinal Wolsey. Be very careful what you get into people's heads because it's virtually impossible to shift it afterwards, right?
好,孩童对事物的概念不是老师教的 老师时常这么以为,但实际上概念来自于常理 来自于孩童对周遭世界的体验 来自于他们跟同伴彼此交流 还有跟保姆、父母亲、所有人交流的经验 这个领域中的一个专家,对了,愿他安息 就是渥西主教,他说要你将东西放进其他人的闹袋里的时候要小心 因为那些东西几乎不会再改变,对吧?
(Laughter)
(笑声)
I'm not quite sure how he died, actually. Was he beheaded in the end, or hung?
我不太清楚他的死因,真的 他最后上了断头台?还是被吊死?
(Laughter)
(笑声)
Now, those questions, which, of course, you've got right, and you haven't been conferring, and so on. And I -- you know, normally, I would pick people out and humiliate, but maybe not in this instance.
现在回到那四个问题,大家都知道是什么问题了 你们彼此之间也没有讨论答案 我平时习惯点人站起来回答让他丢脸 不过这次就不点了
A little seed weighs a lot and, basically, all this stuff, 99 percent of this stuff, came out of the air. Now, I guarantee that about 85 percent of you, or maybe it's fewer at TED, will have said it comes out of the ground. And some people, probably two of you, will come up and argue with me afterwards, and say that actually, it comes out of the ground. Now, if that was true, we'd have trucks going round the country, filling people's gardens in with soil, it'd be a fantastic business. But, actually, we don't do that. The mass of this comes out of the air. Now, I passed all my biology exams in Britain. I passed them really well, but I still came out of school thinking that that stuff came out of the ground.
种籽可以很重,基本上所有的这些 99%都来自于空气 我相信有85%的人,或许在你们TED会比较少 会说木材来自于大地,而有些人 也许你们中的一两位, 可能结束后会来找我争论 说木材其实是来自于大地 若是如此,那我们就会有让卡车跑来跑去 把人们的花园都填上土,那会是很棒的生意。 不过实际上我们不会那么做 因为木材的材料大部分其实是从空气中来的 我在英国念书时考生物每考必过 我的成绩很好,但毕业后 还是以为木材来自于大地
Second one: can you light a little torch-bulb with a battery bulb and one piece of wire? Yes, you can, and I'll show you in a second how to do that. Now, I have some rather bad news, which is that I had a piece of video that I was about to show you, which unfortunately -- the sound doesn't work in this room, so I'm going to describe to you, in true "Monty Python" fashion, what happens in the video. And in the video, a group of researchers go to MIT on graduation day. We chose MIT because, obviously, that's a very long way away from here, and you wouldn't mind too much, but it sort of works the same way in Britain and in the West Coast of the USA. And we asked them these questions, and we asked those questions of science graduates, and they couldn't answer them. And so, there's a whole lot of people saying, "I'd be very surprised if you told me that this came out of the air. That's very surprising to me." And those are science graduates. And we intercut it with, "We are the premier science university in the world," because of British-like hubris.
你能用一枚电池和一根电线点亮灯泡吗? 是,你可以,我会示范怎么做。 不过,现在有个坏消息 本来有个影片要给大家看 可惜在这边声音放不出来 所以我就口头描述一下的,用巨蟒剧团的表演方式, 影片内容是这样的,在影片里有一群研究员 在毕业典礼那天去麻省理工学院 为什么是麻省理工呢?因为它离这里很远 大家也就不会太介意 不过场景设在英国结果也差不多 或是设在美国西岸 我们问了麻省理工的毕业生这四个问题 这些理工科毕业生也答不出来 而且还有很多学生表示 “我很惊讶你说木材是从空气中来的 ”这真的让我很吃惊“,那些理工的毕业生这么说 我们用”我们是全球第一的理工大学“来作影片的结尾。 因为英国人很傲慢
(Laughter)
(笑声)
And when we gave graduate engineers that question, they said it couldn't be done. And when we gave them a battery, and a piece of wire, and a bulb, and said, "Can you do it?" They couldn't do it. Right? And that's no different from Imperial College in London, by the way, it's not some sort of anti-American thing going on.
我们拿第二个问题去问硕士毕业的工程师们 他们说这不可能做得到 我们拿了电池、电线、和灯泡 问他们”你能做到吗?“,他们没办法,是吧? 顺道一提,伦敦的帝国学院的情况估计也差不多如此 我们不是在做什么反美的事
As if. Now, the reason this matters is we pay lots and lots of money for teaching people -- we might as well get it right. And there are also some societal reasons why we might want people to understand what it is that's happening in photosynthesis. For example, one half of the carbon equation is how much we emit, and the other half of the carbon equation, as I'm very conscious as a trustee of Kew, is how much things soak up, and they soak up carbon dioxide out of the atmosphere.
虽然听来颇像。问题的关键是我们花了很多钱 来教育大众,我们应该正确地来做这件事。 其中也有一些社会因素 让我们想使大众了解光合作用如何运作 例如,有一半的碳储量是人类排放的 而另一半碳储量 我相当关切,身为皇家植物园的受托管理人
That's what plants actually do for a living. And, for any Finnish people in the audience, this is a Finnish pun: we are, both literally and metaphorically, skating on thin ice if we don't understand that kind of thing.Now, here's how you do the battery and the bulb. It's so easy, isn't it? Of course, you all knew that. But if you haven't played with a battery and a bulb, if you've only seen a circuit diagram, you might not be able to do that, and that's one of the problems.
是植物吸收多少二氧化碳 植物就是以此维生的 如果在场有芬兰人,这是芬兰话的双关语 我们无论在实际上或隐喻上,都是如履薄冰 要是我们不明白那些事 电池和灯泡只要这要做就行 很简单,不是吗?你们都懂了 但要是你没有亲手碰过电池和灯泡 如果你只看过电路图 你可能就做不出来,这是个麻烦
So, why is it hotter in summer than in winter? We learn, as children, that you get closer to something that's hot, and it burns you. It's a very powerful bit of learning, and it happens pretty early on. By extension, we think to ourselves, "Why it's hotter in summer than in winter must be because we're closer to the Sun." I promise you that most of you will have got that. Oh, you're all shaking your heads, but only a few of you are shaking your heads very firmly.
那么,为何夏天比冬天热? 我们从小就知道,离热的东西太近 你就被烫到,这真很有效的教育方法 很小的时候大家就学到了 延伸这个论点,我们觉得夏天比冬天热 一定是因为我们离太阳比较近 我相信大多人都懂了 哦,大家都在摇头 不过只有几个人摇得很坚定
Other ones are kind of going like this. All right. It's hotter in summer than in winter because the rays from the Sun are spread out more, right, because of the tilt of the Earth. And if you think the tilt is tilting us closer, no, it isn't. The Sun is 93 million miles away, and we're tilting like this, right? It makes no odds. In fact, in the Northern Hemisphere, we're further from the Sun in summer, as it happens, but it makes no odds, the difference.
其他人只是这样子摇而已,好吧 夏天比冬天热是因为太阳的辐射线 传播得比较多,地球倾斜的关系 如果你以为是朝太阳的方向倾斜,那就错了 太阳离地球1亿5千万公里,地球倾斜角度大略如此 倾斜不是差别所在,在北半球 夏天时我们离太阳更远 跟倾斜没有关系
OK, now, the scribble of the diagram of the solar system. If you believe, as most of you probably do, that it's hotter in summer than in winter because we're closer to the Sun, you must have drawn an ellipse. Right? That would explain it, right? Except, in your -- you're nodding -- now, in your ellipse, have you thought, "Well, what happens during the night?"
好,问题四是画出太阳系的平面图 如果大家相信,大多数可能都相信 夏天比冬天热是因为地球离太阳较近 大家应该都画了椭圆形 对吧?这就能解释了吧? 除非,你点头了,你画了个椭圆形 你有想过,「夜晚又是怎么回事」?
Between Australia and here, right, they've got summer and we've got winter, and what -- does the Earth kind of rush towards the Sun at night, and then rush back again? I mean, it's a very strange thing going on, and we hold these two models in our head, of what's right and what isn't right, and we do that, as human beings, in all sorts of fields.
澳洲和美国这边,澳洲是夏天 这边是冬天,难道说 地球在晚上会冲向太阳 然后再冲回来?这实在很奇怪 我们脑中有两种思考模式,对的和错的 身为人类,我们在很多领域都这样思考
So, here's Copernicus' view of what the solar system looked like as a plan. That's pretty much what you should have on your piece of paper. Right? And this is NASA's view. They're stunningly similar. I hope you notice the coincidence here.
左边是哥白尼画的太阳系平面图 跟你们纸上画的差不多,对吧 右边是NASA的版本,两张图非常相似 我希望大家注意其中的巧合 要是你知道人们有错误观念
What would you do if you knew that people had this misconception, right, in their heads, of elliptical orbits caused by our experiences as children? What sort of diagram would you show them of the solar system, to show that it's not really like that? You'd show them something like this, wouldn't you? It's a plan, looking down from above. But, no, look what I found in the textbooks. That's what you show people, right?
你会怎么做 在他们脑中,残蔚墓斓 是他们儿时经验教的吗? 你会给他们看什么样的太阳系示意图? 证明太阳系不是他们想的那样 你会给他们看这种图吗? 这是俯瞰的平面图 可是并非如此,瞧瞧我在教科书里找到的 你会给他们看这种图对吧?
These are from textbooks, from websites, educational websites -- and almost anything you pick up is like that. And the reason it's like that is because it's dead boring to have a load of concentric circles, whereas that's much more exciting, to look at something at that angle, isn't it? Right?
出自教科书 出自教育网站 你找得到的几乎都是这种图 会以这种视角呈现是因为 只有一堆同心圆太死板无趣 从这种视角看太阳系比较新鲜刺激 不是吗?
And by doing it at that angle, if you've got that misconception in your head, then that two-dimensional representation of a three-dimensional thing will be ellipses. So you've -- it's crap, isn't it really? As we say.
因为弄成这种视角 如果你脑中有了这种误解 用二度空间来呈现三度空间就会变成椭圆形 这真是糟糕,可不是吗?
So, these mental models -- we look for evidence that reinforces our models. We do this, of course, with matters of race, and politics, and everything else, and we do it in science as well. So we look, just look -- and scientists do it, constantly -- we look for evidence that reinforces our models, and some folks are just all too able and willing to provide the evidence that reinforces the models.
因此,我们寻求证据来增强我们的心智模式 我们用这种方式处理种族、政治、所有事 当然也用这种方式处理科学,我们只观看 是科学家在这么做,我们不断寻求证据 来增强我们的心智模式,有些人很有办法 也乐意提供证据来增强那些模式
So, being I'm in the United States, I'll have a dig at the Europeans. These are examples of what I would say is bad practice in science teaching centers.
所以我现在人在美国,就会说欧洲人的坏话 这些图片都是我认为不良的科学教育
These pictures are from La Villette in France and the welcome wing of the Science Museum in London. And, if you look at the, kind of the way these things are constructed, there's a lot of mediation by glass, and it's very blue, and kind of professional -- in that way that, you know, Woody Allen comes up from under the sheets in that scene in "Annie Hall," and said, "God, that's so professional." And that you don't -- there's no passion in it, and it's not hands on, right, and, you know, pun intended.
类似教学中心,这些图取自法国维叶特科博馆 以及伦敦科博馆的迎宾翼展示区 你看看这些东西建成的模样 有很多玻璃隔板,蓝光色调,弄得很专业似的 那种方式,就像是伍迪艾伦从床单里冒出来 在《安妮霍尔》戏中的那一幕 他说“老天,这真是太专业了” 这其中没有热情,没有动手参与,是吗 这是个双关,不过也有好的教学方法
Whereas good interpretation -- I'll use an example from nearby -- is San Francisco Exploratorium, where all the things that -- the demonstrations, and so on, are made out of everyday objects that children can understand, it's very hands-on, and they can engage with, and experiment with. And I know that if the graduates at MIT and in the Imperial College in London had had the battery and the wire and the bit of stuff, and you know, been able to do it, they would have learned how it actually works, rather than thinking that they follow circuit diagrams and can't do it. So good interpretation is more about things that are bodged and stuffed and of my world, right? And things that -- where there isn't an extra barrier of a piece of glass or machined titanium, and it all looks fantastic, OK?
我举一个例子,离这里很近,旧金山探索馆 在那里所有的东西,展示品之类的 都是用孩子能懂的日常用品做成的 都可以动手玩,孩子们可以专心玩好好体验 我知道麻省理工毕业生 以及伦敦帝国学院毕业生 手上有电池电线点亮灯泡的话 他们会明白其中的原理 而不是觉得他们照着电路图来做是做不到的 好的教学方法不是 沉溺陶醉在自己世界里对吧? 那些东西也不该被隔着 用玻璃或是钛制品隔开 看起来很漂亮就好,好吗?
And the Exploratorium does that really, really well. And it's amateur, but amateur in the best sense, in other words, the root of the word being of love and passion.
旧金山探索馆在这点做得非常好 看上去很业余,但业余得很对头 也就是说,根本的出发点是出自爱和热情
So, children are not empty vessels, OK?So, as "Monty Python" would have it, this is a bit Lord Privy Seal to say so, but this is -- children are not empty vessels.
所以,孩童不是空瓶子 用“巨蟒剧团”的说法 就是有点像英国掌玺大臣会说的 意思是说孩童不是空无一物的瓶子
They come with their own ideas and their own theories, and unless you work with those, then you won't be able to shift them, right?
他们生来就有自己的想法和理念 如果你没从这些地方着手,就改变不了他们 对吧?
And I probably haven't shifted your ideas of how the world and universe operates, either. But this applies, equally, to matters of trying to sell new technology.
我大概没有改变大家的想法 对于世界和宇宙到底如何运作 不过这些道理同样可以用在推销新科技上也
For example, we are, in Britain, we're trying to do a digital switchover of the whole population into digital technology [for television].
例如,在英国,我们试着把全部的电视 都换成新科技的数位电视
And it's one of the difficult things is that when people have preconceptions of how it all works, it's quite difficult to shift those.
有个难题是 人们对事物运作的方式一旦有了成见 就很难去改变
So we're not empty vessels; the mental models that we have as children persist into adulthood. Poor teaching actually does more harm than good.
我们不是空瓶子,我们保有心智模式 从幼年到成年一直都存在 不良的教学是弊多于利
In this country and in Britain, magnetism is understood better by children before they've been to school than afterwards, OK? Same for gravity, two concepts, so it's -- which is quite humbling, as a, you know, if you're a teacher, and you look before and after, that's quite worrying. They do worse in tests afterwards, after the teaching.
在美国和英国,在磁力知识上 孩童在就学前学得比较好 重力知识也一样,两个不同概念,这实在可悲 如果你是个老师,看见受教前和受教后的差别 实在令人忧心,学童在受教后考得更差
And we collude. We design tests, or at least in Britain, so that people pass them. Right? And governments do very well. They pat themselves on the back. OK?
我们都是共犯,我们设计测验方式 至少在英国是这样,好让人们能通过考试 政府也帮了不少忙,他们推波助澜 懂吗?
We collude, and actually if you -- if someone had designed a test for me when I was doing my biology exams, to really understand, to see whether I'd understood more than just kind of putting starch and iodine together and seeing it go blue, and really understood that plants took their mass out of the air, then I might have done better at science. So the most important thing is to get people to articulate their models.
我们都是共犯 如果有人替我设计测验 在我要考生物的时候 让我能真正明白,明白我是否真的懂了 不是只在淀粉中加入碘液 看着反应呈现蓝色 而且能真正明白植物是从空气中茁壮的 我的科学可能就会学得比较好 所以,最重要的是要让人们能表述清楚他们的模型
Your homework is -- you know, how does an aircraft's wing create lift? An obvious question, and you'll have an answer now in your heads. And the second question to that then is, ensure you've explained how it is that planes can fly upside down. Ah ha, right.
回家作业是,机翼是怎样帮助飞机起飞的? 这问题很好懂,大家心中也有答案了 注意事项是 你要确保自己能解释为何飞机头向下的时候也能飞, 对吧
Second question is, why is the sea blue? All right? And you've all got an idea in your head of the answer. So, why is it blue on cloudy days? Ah, see.
问题二,海为何是蓝色的? 大家心中应该都有答案了 那么,为什么阴天时海还是蓝的?看吧 (笑声) 我一直想在美国讲这句话
(Laughter)
(笑声)
I've always wanted to say that in this country. (Laughter) Finally, my plea to you is to allow yourselves, and your children, and anyone you know, to kind of fiddle with stuff, because it's by fiddling with things that you, you know, you complement your other learning. It's not a replacement, it's just part of learning that's important. Thank you very much. Now -- oh, oh yeah, go on then, go on.
最后,我希望大家能让自己,还有孩子 以及任何你认识的人,去动手接触事物 因为亲自接触了事物,你知道的 你就补足了其他方面的学习不足,这不是替换 这只是学习中很重要的一部分 谢谢大家 那么,噢,没关系,继续吧
(Applause)
(鼓掌)
简介:残奥会短跑冠军aimeemullins天生没有腓骨,从小就要学习靠义肢走路和奔跑。如今,她不仅是短跑选手、演员、模特,还是一位稳健的演讲者。她不喜欢字典中“disabled”这个词,因为负面词汇足以毁掉一个人。但是,坦然面对不幸,你会发现等待你的是更多的机会。
i'd like to share with you a discovery that i made a few months ago whilewriting an article for italian wired. i always keep my thesaurus handy wheneveri'm writing anything, but i'd already finished editing the piece, and i realizedthat i had never once in my life looked up the word "disabled" to see what i'dfind.
let me read you the entry. "disabled, adjective: crippled, helpless,useless, wrecked, stalled, maimed, wounded, mangled, lame, mutilated, run-down,worn-out, weakened, impotent, castrated, paralyzed, handicapped, senile,decrepit, laid-up, done-up, done-for, done-in cracked-up, counted-out; see alsohurt, useless and weak. antonyms, healthy, strong, capable." i was reading thislist out loud to a friend and at first was laughing, it was so ludicrous, buti'd just gotten past "mangled," and my voice broke, and i had to stop andcollect myself from the emotional shock and impact that the assault from thesewords unleashed.
you know, of course, this is my raggedy old thesaurus so i'm thinking thismust be an ancient print date, right? but, in fact, the print date was the early1980s, when i would have been starting primary school and forming anunderstanding of myself outside the family unit and as related to the other kidsand the world around me. and, needless to say, thank god i wasn't using athesaurus back then. i mean, from this entry, it would seem that i was born intoa world that perceived someone like me to have nothing positive whatsoever goingfor them, when in fact, today i'm celebrated for the opportunities andadventures my life has procured.
so, i immediately went to look up the __ online edition, e_pecting to finda revision worth noting. here's the updated version of this entry.unfortunately, it's not much better. i find the last two words under "nearantonyms," particularly unsettling: "whole" and "wholesome."
so, it's not just about the words. it's what we believe about people whenwe name them with these words. it's about the values behind the words, and howwe construct those values. our language affects our thinking and how we view theworld and how we view other people. in fact, many ancient societies, includingthe greeks and the romans, believed that to utter a curse verbally was sopowerful, because to say the thing out loud brought it into e_istence. so, whatreality do we want to call into e_istence: a person who is limited, or a personwho's empowered? by casually doing something as simple as naming a person, achild, we might be putting lids and casting shadows on their power. wouldn't wewant to open doors for them instead?
one such person who opened doors for me was my childhood doctor at the a.i.dupont institute in wilmington, delaware. his name was dr. pizzutillo, anitalian american, whose name, apparently, was too difficult for most americansto pronounce, so he went by dr. p. and dr. p always wore really colorful bowties and had the very perfect disposition to work with children.
i loved almost everything about my time spent at this hospital, with thee_ception of my physical therapy sessions. i had to do what seemed likeinnumerable repetitions of e_ercises with these thick, elastic bands --different colors, you know -- to help build up my leg muscles, and i hated thesebands more than anything -- i hated them, had names for them. i hated them. and,you know, i was already bargaining, as a five year-old child, with dr. p to tryto get out of doing these e_ercises, unsuccessfully, of course. and, one day, hecame in to my session -- e_haustive and unforgiving, these sessions -- and hesaid to me, "wow. aimee, you are such a strong and powerful little girl, i thinkyou're going to break one of those bands. when you do break it, i'm going togive you a hundred bucks."
now, of course, this was a simple ploy on dr. p's part to get me to do thee_ercises i didn't want to do before the prospect of being the richestfive-year-old in the second floor ward, but what he effectively did for me wasreshape an awful daily occurrence into a new and promising e_perience for me.and i have to wonder today to what e_tent his vision and his declaration of meas a strong and powerful little girl shaped my own view of myself as aninherently strong, powerful and athletic person well into the future.
this is an e_ample of how adults in positions of power can ignite the powerof a child. but, in the previous instances of those thesaurus entries, ourlanguage isn't allowing us to evolve into the reality that we would all want,the possibility of an individual to see themselves as capable. our languagehasn't caught up with the changes in our society, many of which have beenbrought about by technology. certainly, from a medical standpoint, my legs,laser surgery for vision impairment, titanium knees and hip replacements foraging bodies that are allowing people to more fully engage with their abilities,and move beyond the limits that nature has imposed on them -- not to mentionsocial networking platforms allow people to self-identify, to claim their owndescriptions of themselves, so they can go align with global groups of their ownchoosing. so, perhaps technology is revealing more clearly to us now what hasalways been a truth: that everyone has something rare and powerful to offer oursociety, and that the human ability to adapt is our greatest asset.
the human ability to adapt, it's an interesting thing, because people havecontinually wanted to talk to me about overcoming adversity, and i'm going tomake an admission: this phrase never sat right with me, and i always felt uneasytrying to answer people's questions about it, and i think i'm starting to figureout why. implicit in this phrase of "overcoming adversity" is the idea thatsuccess, or happiness, is about emerging on the other side of a challenginge_perience unscathed or unmarked by the e_perience, as if my successes in lifehave come about from an ability to sidestep or circumnavigate the presumedpitfalls of a life with prosthetics, or what other people perceive as mydisability. but, in fact, we are changed. we are marked, of course, by achallenge, whether physically, emotionally or both. and i'm going to suggestthat this is a good thing. adversity isn't an obstacle that we need to getaround in order to resume living our life. it's part of our life. and i tend tothink of it like my shadow. sometimes i see a lot of it, sometimes there's verylittle, but it's always with me. and, certainly, i'm not trying to diminish theimpact, the weight, of a person's struggle.
there is adversity and challenge in life, and it's all very real andrelative to every single person, but the question isn't whether or not you'regoing to meet adversity, but how you're going to meet it. so, our responsibilityis not simply shielding those we care for from adversity, but preparing them tomeet it well. and we do a disservice to our kids when we make them feel thatthey're not equipped to adapt. there's an important difference and distinctionbetween the objective medical fact of my being an amputee and the subjectivesocietal opinion of whether or not i'm disabled. and, truthfully, the only realand consistent disability i've had to confront is the world ever thinking that icould be described by those definitions.
in our desire to protect those we care about by giving them the cold, hardtruth about their medical prognosis, or, indeed, a prognosis on the e_pectedquality of their life, we have to make sure that we don't put the first brick ina wall that will actually disable someone. perhaps the e_isting model of onlylooking at what is broken in you and how do we fi_ it, serves to be moredisabling to the individual than the pathology itself.
by not treating the wholeness of a person, by not acknowledging theirpotency, we are creating another ill on top of whatever natural struggle theymight have. we are effectively grading someone's worth to our community. so weneed to see through the pathology and into the range of human capability. and,most importantly, there's a partnership between those perceived deficiencies andour greatest creative ability. so it's not about devaluing, or negating, thesemore trying times as something we want to avoid or sweep under the rug, butinstead to find those opportunities wrapped in the adversity. so maybe the ideai want to put out there is not so much overcoming adversity as it is openingourselves up to it, embracing it, grappling with it, to use a wrestling term,maybe even dancing with it. and, perhaps, if we see adversity as natural,consistent and useful, we're less burdened by the presence of it.
this year we celebrate the 200th birthday of charles darwin, and it was 150years ago, when writing about evolution, that darwin illustrated, i think, atruth about the human character. to paraphrase: it's not the strongest of thespecies that survives, nor is it the most intelligent that survives; it is theone that is most adaptable to change. conflict is the genesis of creation. fromdarwin's work, amongst others, we can recognize that the human ability tosurvive and flourish is driven by the struggle of the human spirit throughconflict into transformation. so, again, transformation, adaptation, is ourgreatest human skill. and, perhaps, until we're tested, we don't know what we'remade of. maybe that's what adversity gives us: a sense of self, a sense of ourown power. so, we can give ourselves a gift. we can re-imagine adversity assomething more than just tough times. maybe we can see it as change. adversityis just change that we haven't adapted ourselves to yet.
i think the greatest adversity that we've created for ourselves is thisidea of normalcy. now, who's normal? there's no normal. there's common, there'stypical. there's no normal, and would you want to meet that poor, beige personif they e_isted? (laughter) i don't think so. if we can change this paradigmfrom one of achieving normalcy to one of possibility -- or potency, to be even alittle bit more dangerous -- we can release the power of so many more children,and invite them to engage their rare and valuable abilities with thecommunity.
anthropologists tell us that the one thing we as humans have alwaysrequired of our community members is to be of use, to be able to contribute.there's evidence that neanderthals, 60,000 years ago, carried their elderly andthose with serious physical injury, and perhaps it's because the life e_perienceof survival of these people proved of value to the community. they didn't viewthese people as broken and useless; they were seen as rare and valuable.
a few years ago, i was in a food market in the town where i grew up in thatred zone in northeastern pennsylvania, and i was standing over a bushel oftomatoes. it was summertime: i had shorts on. i hear this guy, his voice behindme say, "well, if it isn't aimee mullins." and i turn around, and it's thisolder man. i have no idea who he is.
and i said, "i'm sorry, sir, have we met? i don't remember meetingyou."
he said, "well, you wouldn't remember meeting me. i mean, when we met i wasdelivering you from your mother's womb." (laughter) oh, that guy. and, but ofcourse, actually, it did click.
this man was dr. kean, a man that i had only known about through mymother's stories of that day, because, of course, typical fashion, i arrivedlate for my birthday by two weeks. and so my mother's prenatal physician hadgone on vacation, so the man who delivered me was a complete stranger to myparents. and, because i was born without the fibula bones, and had feet turnedin, and a few toes in this foot and a few toes in that, he had to be the bearer-- this stranger had to be the bearer of bad news.
he said to me, "i had to give this prognosis to your parents that you wouldnever walk, and you would never have the kind of mobility that other kids haveor any kind of life of independence, and you've been making liar out of me eversince." (laughter) (applause)
the e_traordinary thing is that he said he had saved newspaper clippingsthroughout my whole childhood, whether winning a second grade spelling bee,marching with the girl scouts, you know, the halloween parade, winning mycollege scholarship, or any of my sports victories, and he was using it, andintegrating it into teaching resident students, med students from hahnemannmedical school and hershey medical school. and he called this part of the coursethe _ factor, the potential of the human will. no prognosis can account for howpowerful this could be as a determinant in the quality of someone's life. anddr. kean went on to tell me, he said, "in my e_perience, unless repeatedly toldotherwise, and even if given a modicum of support, if left to their own devices,a child will achieve."
see, dr. kean made that shift in thinking. he understood that there's adifference between the medical condition and what someone might do with it. andthere's been a shift in my thinking over time, in that, if you had asked me at15 years old, if i would have traded prosthetics for flesh-and-bone legs, iwouldn't have hesitated for a second. i aspired to that kind of normalcy backthen. but if you ask me today, i'm not so sure. and it's because of thee_periences i've had with them, not in spite of the e_periences i've had withthem. and perhaps this shift in me has happened because i've been e_posed tomore people who have opened doors for me than those who have put lids and castshadows on me.
see, all you really need is one person to show you the epiphany of your ownpower, and you're off. if you can hand somebody the key to their own power --the human spirit is so receptive -- if you can do that and open a door forsomeone at a crucial moment, you are educating them in the best sense. you'reteaching them to open doors for themselves. in fact, the e_act meaning of theword "educate" comes from the root word "educe." it means "to bring forth whatis within, to bring out potential." so again, which potential do we want tobring out?
there was a case study done in 1960s britain, when they were moving fromgrammar schools to comprehensive schools. it's called the streaming trials. wecall it "tracking" here in the states. it's separating students from a, b, c, dand so on. and the "a students" get the tougher curriculum, the best teachers,etc. well, they took, over a three-month period, d-level students, gave thema's, told them they were "a's," told them they were bright, and at the end ofthis three-month period, they were performing at a-level.
and, of course, the heartbreaking, flip side of this study, is that theytook the "a students" and told them they were "d's." and that's what happened atthe end of that three-month period. those who were still around in school,besides the people who had dropped out. a crucial part of this case study wasthat the teachers were duped too. the teachers didn't know a switch had beenmade. they were simply told, "these are the 'a-students,' these are the'd-students.'" and that's how they went about teaching them and treatingthem.
so, i think that the only true disability is a crushed spirit, a spiritthat's been crushed doesn't have hope, it doesn't see beauty, it no longer hasour natural, childlike curiosity and our innate ability to imagine. if instead,we can bolster a human spirit to keep hope, to see beauty in themselves andothers, to be curious and imaginative, then we are truly using our power well.when a spirit has those qualities, we are able to create new realities and newways of being.
i'd like to leave you with a poem by a fourteenth-century persian poetnamed hafiz that my friend, jacques dembois told me about, and the poem iscalled "the god who only knows four words": "every child has known god, not thegod of names, not the god of don'ts, but the god who only knows four words andkeeps repeating them, saying, 'come dance with me. come, dance with me. come,dance with me.'"
thank you. (applause)