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Visitors:
How do you do!Welcome to visit the Confucioustemple in Bishan. I am a tour guide Hu Ting Yue. I hope that my explanation will satisfy you and enable us to appreciate the long history and antiquity of Confucioustemple.
The Confucioustemple in Bishan is the only Confucious Temple existing in Chongqing. This temple was built in the South Song Dynasty. In 1194,it was rebuilt for four years in Xianfeng. The temple seat was west to the East and Lantau Peak,the front was the broad grand square,and the big and majestic government building on the right.The total area of Confucioustemple is 1240 square meter.
There is a statue of Lv Fengzi before the temple. The Confucioustemple is to commemorate Lv Fengzi,and Lv Fengzi was born in 1886. After adulthood,he taught traditional Chinese painting in Colleges and universities in four provinces and cities like Shanghai. Lv Fengzi is a famous painter and calligrapher in modern times,and also an art educator.He has made many contributions to the cause of art education.
Please look at the gate with my gestures. The red wall of the gate is inlaid with a yellow ball,which is so solemn and solemn,with two gold characters on the top of the Confucioustemple,and we can see the ancient peoples ghosts and gods. Please step in the doorway,the left hand side is the Lv Fengzi Memorial tube,and the right is the advertising studio. Everyone followed me up the stairs ahead. The stone wall was carved with a Kowloon map. There was a mighty dragon in the middle. There were eight lovely dragons around it. Every detail of this stone painting was meticulously carved,which was the crystallization of the wisdom of the ancients. As you can see,the main hall is double roofed with yellow tiles,red walls and two dragons on top. Everyone walked into the main hall,where tables and chairs were neatly placed,and people were drinking tea leisurely here.
We bypass the main hall,go up the hillside,and look at these gods. Their dignity is very respectable. Many gods have been weathered and their dignity is not lost. The statue of this side was devastated by the cultural revolution.
Friends,please protect the cultural relics,but also protect our homes.
This is the end of todays tour. Please give my valuable advice to us. See you next time!
各位老师:
大家好!首先我代表我们xx旅行社的全体人员对大家的到来表示热烈的欢迎,同时也感谢大家对我们旅行社的支持和信任。我叫雕刻时光,是四通旅行社的导游员,大家叫我小刘好了。坐在前方驾驶位置上的.是我们的随队司机张师傅。张师傅的驾驶经验十分丰富,相信大家在乘车的途中必须会感到既舒适又安全的。这天能担任本团的。导游工作,认识这么多的教师朋友,我觉感到很荣幸,如果大家在旅途中有什么困难和要求,请您及时地提出,我将竭尽全力地为您服务。也期望大家能用心地支持和配合我的工作。在那里我预祝大家旅途愉快,能够高兴而来,满意而归。
我们这天要游览的景点是古文化街,古文化街是以天后宫为中心,具有天津地方特色的一条街,位于南开区宫南宫北大街,19xx年经市政府整理恢复其传统风貌,命名为“古文化街”。古文化街有别于一般的商业街,在那里集中了天津乃至全国四面八方的各种工艺品、文化用品,其中以响誉国内外,具有浓厚天津地方特色的杨柳青年画,泥人张彩塑和风筝魏的风筝最有名气,整条街充满了浓郁的中国味、天津味、古味和文化味。那么古文化街到底怎样呢?还是大家亲自游览后再作评价吧。一首歌,唱得不好请大家谅解。
各位朋友大家好,很高兴能在这个阳光灿烂的日子里与大家相会,一上车我就感觉到大家的目光非常的热情,在我身上“刷刷刷”地上下扫描,可能前面的朋友看得清楚一点,后面的朋友看得清楚吗?不管看得清看不清,我先自我介绍一下,本人姓X、90年出身、身高176公分、体重72公斤、未婚(稍快)。大家可以叫我XX,倒过来念也没关系可以叫我小X,不要叫我X导这样我会觉得很见外。
在大家这次旅途中由我担任大家的地方陪同导游工作,这个工作让我感到非常荣幸。当然为大家服务的不止我一个,还有我们的司机师傅xx师傅,xx师傅驾车安全行驶多少年他自己也记不清了,大家可以对旅途的行车安全放心。当然最辛苦的是全陪xx,为什么?因为他是全陪,全陪就是什么都要陪,所以他比我还要辛苦,呵呵,开个玩笑,希望大家在这既不漫长也不短暂的江西五天时间里,我们三位的工作能使大家感到满意,让大家乘兴而来,满意而归!
有朋自远方来不亦乐乎,各位朋友虽然和我还比较的陌生,我也叫不出各位的名字,但是我想在接下来的.几天时间里我会慢慢的了解大家,熟悉大家。那么现在大家只需要记住我就可以了,大家还记得我姓什么吗?姓X(让客人来回答),那么车上有没有和我同姓的,举手(看看有没有客人举手),对不起,我说的是同性,性别的性,(保准客人会笑)。
好了,开个玩笑,谢谢大家捧场。那么我们的车已经行驶在高速公路上了,那给大家提几个小的建议,首先,咱们大家在座位上坐好之后就不要随便在车厢走动,以免车速过快把大家摔伤。其次呢大家在车上如果要吃东西,请把吃剩下的瓜皮果壳放在一个方便袋子里,下车的时候请大家带下车丢进垃圾桶,我想咱们这台车将陪伴大家几天的旅途时光,希望大家能保持一个好的环境。最后一点就是坐在最后一排窗边的朋友千万不要把手或头部舒伸到窗外去,以免被其它的车辆刮伤。那我想出门在外,旅游固然重要,但是平安是最重要的,平安就是一种幸福,那么我也希望这个行程能够把大家高高兴兴的带出去,平平安安的带回来。
各位来宾:
大家好!
今天很高兴能和大家一起出游!首先,我代表我们XX旅行社欢迎大家参加我们旅行社组织的XXX游!我是我公司的总经理,呵呵~~那是不可能的,派下来的导游,小姓X,名字XX,希望大家可以亲切叫我小X。大家可不要叫我导游,因为在景区里,一声导游,几十个人回头,到时候就不知道你叫谁了!也不要叫我美女,因为在座就有很多美女了。现在在我右手边正在努力奋战的,是我们劳苦功高的X师傅,我们X师傅可帅了,大家刚才上车的时候有没有偷偷瞄过我们的X师傅啊?如果没有,那要不要,他现在站起来和大家说声:Hello啊!哈哈!说笑的哈!大家等一下车的时候,要认一下我们的X师傅!认准我,大家有饭吃,认准师傅,大家可以回得了家!X师傅的开车经验足,技术好,开车方面X师傅包了,大家绝对可以放心!!还有,我们现在乘坐的是旅游大巴,X色,车牌号码是:XXX!上下车的时候,大家别看隔壁车的'导游比较靓女,比较帅哥点就跟着他们车跑了,我可不管啊!千年修得共车游,从这一刻开始,我们就是好朋友了,如果大家有什么困难,我帮得上忙的话,可以找我。接下来的行程中我们的旅游大巴也相当于我们移动的家了,希望大家保持车内清洁卫生。在这里,祝我们路途愉快!
emple of Solitary Joy is located at inside west city gate of Ji County, Tianjin City. It is known for its refined architecture skill in Channel’s ancient buildings and has got the reputation of Six Best. These are: The earliest Dingshan Gate (Gate of Withstanding Hill) of the ground hall preserved now; The earliest Chiwei object on the Hill Gate preserved now; The earliest plane distribution which took pavilion as the center on the architecture plane; The biggest clay sculptured statue of eavara inside a pavilion in China; The Avalokiteavara is also the most ancient high storeyed one; The more precious fact is that the Temple of Solitary Joy has stood unscathed after thousand years of rain, snow, wind and frost and 28 big attacks, hence the most durable ancient Monastery of thousand years.
Entering the Temple,the first comes to sight is 10 m high gate, on the arch of which there hangs a horizontal inscribed board: Temple of Solitary Joy. The single eaves ground hall roof was the roof building form during the western Tsin (AD265-316) and Southern and Northern Dyansty (420-589) period, which was called Siadading in ancient time and now it is called big roof. On the two ends of the plane ridge, there are inward Chiweis. Chi denoted sparrow hawk in ancient time, which is a kind of fierce bird. The stand base of the gate is comparatively low, but the hall pinnacle is much higher above eaves and the pottery animal figures look sturdy; solemn and sturdy. There is no ceiling inside the pinnacle, therefor the painted beam and purlieus are visible. The whole piece is exquisitely wrought, simple arranged and skillfully done, for which people gasp in the gate, one comes to the core building - Avalokitesvara Pavilion, 23 m in height. Form outside appearance, it is two storeyed, but inside there is a hidden storey, thus three storeyed in fact. On the eaves corners, pottery unicorns are sculptured, on which little Buddha statues ride. Copper bells are hung under eaves corners, swaying with the wind, a specially refined scene. The most attractive thing is the structure of Dougong (sets of brackets on top of the columns supporting the beams within and roof eaves without――each set consisting of tiers of outstretching arms called Gong, cushioned with trapezoidal blocks called Dou)。 It is made of overlapping Dougong shaped wood blocks and bow shaped horizontal wood bars by adopting 24 forms with each layer stretching out as bracket, big in upper part and small in lower part, thinly scattered, steady and sturdy. It makes eaves of the pavilion look like flying, far and deep in the sky, a beautiful and magnificent view.
Entering the Avalokitesvara Pavilion, the very sight is a huge standing Avalokitesvara Statue. If one stands by it, his height is only up toher ankle. The Statue, 16.27 m in height, is the biggest clay sculpture of Avalokitesvara in China. Two statues of attendant Bodhisattvas under the knee of Avalokitesvara are also 3 m in height. On the crown of the head of Avalokitesvara, there are 10 small Avalokitesvare’s heads, hence it is called 11 faces Avalokitesvara. Reviewing around the inner part of the pavilion, one can discover that pillars of high and low storeys are not directly linked through, but the pillars of the upper storey are ed into the arch head of that of lower storey. The upper storey of the pavilion is in a form of six corners empty well, while the lower storey is in a form of square empty well. This kind of structure is not only beautiful and strong, but also adds the space of the upper part of Budha statues. On the four walls inside the pavilion, colorful murals are painted, the theme of which is the images of 16 Arhats and 2 Ming Dynasty Emperors, which are the earliest subjects of Buddhism. On he murals, 2 m high Arhats with 3 heads and 4 arms are extremely lifelike and Ming Emperors on the four walls are full of power and grandeur. On the upper part of the murals, there are mountains, forest, cloud and river, while on the lower part, there are paintings of secular themes with vivid and natural lines, which embody the superb the skill and arts of painting of ancient Buddhism in China.