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第一篇：罗密欧与朱丽叶英文读后感
Remembered the childhood read Emperor"s New clothing when which is but actually also dared by to say truth the child conquered,respected him extremely brave.Along with the age increase more and more thought as soon as such meets the matter,until a one day friend to me to say which child doesn"t have the thought。I only then am suddenly enlighted! The adult （has thought person） not to be able to pierce this paper! Also cannot manage him is really the vacation,is to is wrong! Nobody can go to care about emperor to put on clothes! Can they care about are oneself consider is the honest person,even if is not the honest person.Now the society never is not performs emperor"s new clothing anytime and anywhere,time and time again? Only was the child who stood is more and more few!
第二篇：罗密欧与朱丽叶英文读后感
Shakespeare shows his dramatic skill freely in Romeo and Juliet,providing intense moments of shift between comedy and tragedy.Before Mercutio's death in Act three,the play is largely a comedy.After his accidental demise,the play suddenly becomes very serious and takes on more of a tragic tone.Still,the fact that Romeo is banished,rather than executed,offers a hope that things will work out.When Friar Lawrence offers Juliet a plan to reunite her with Romeo the audience still has a reason to believe that all will end well.They are in a "breathless state of suspense" by the opening of the last scene in the tomb: If Romeo is delayed long enough for the Friar to arrive,he and Juliet may yet be saved.This only makes it all the more tragic when everything falls apart in the end.
Shakespeare also uses subplots to offer a clearer view of the actions of the main characters,and provide an axis around which the main plot turns.For example,when the play begins,Romeo is in love with Rosaline,who has refused all of his advances.Romeo's infatuation with her stands in obvious contrast to his later love for Juliet.This provides a comparison through which the audience can see the seriousness of Romeo and Juliet's love and marriage.Paris' love for Juliet also sets up a contrast between Juliet's feelings for him and her feelings for Romeo.The formal language she uses around Paris,as well as the way she talks about him to her Nurse,show that her feelings clearly lie with Romeo.Beyond this,the sub-plot of the Montague-Capulet feud overarches the whole play,providing an atmosphere of hate that is the main contributor to the play's tragic end.
Shakespeare uses a large variety of poetic forms throughout the play.He begins with a 14-line prologue in the form of a Shakespearean sonnet,spoken by a Chorus.Most of Romeo and Juliet is,however,written in blank verse,and much of it in strict iambic pentameter,with less rhythmic variation than in most of Shakespeare's later plays.In choosing forms,Shakespeare matches the poetry to the character who uses it.Friar Lawrence,for example,uses sermon and sententiae forms,and the Nurse uses a unique blank verse form that closely matches colloquial speech.Each of these forms is also moulded and matched to the emotion of the scene the character occupies.For example,when Romeo talks about Rosaline earlier in the play,he uses the Petrarchan sonnet form.Petrarchan sonnets were often used by men at the time to exaggerate the beauty of women who were impossible for them to attain,as in Romeo's situation with Rosaline.This sonnet form is also used by Lady Capulet to describe Count Paris to Juliet as a handsome man.When Romeo and Juliet meet,the poetic form changes from the Petrarchan (which was becoming archaic in Shakespeare's day) to a then more contemporary sonnet form,using "pilgrims" and "saints" as metaphors.Finally,when the two meet on the balcony,Romeo attempts to use the sonnet form to pledge his love,but Juliet breaks it by saying "Dost thou love me?" By doing this,she searches for true expression,rather than a poetic exaggeration of their love.Juliet uses monosyllabic words with Romeo,but uses formal language with Paris.Other forms in the play include an epithalamium by Juliet,a rhapsody in Mercutio's Queen Mab speech,and an elegy by Paris.Shakespeare saves his prose style most often for the common people in the play,though at times for other characters,such as Mercutio.
第三篇：罗密欧与朱丽叶英文读后感
Love is a minor child the parents of the most taboo thing,love is the young men and women most want to have things,love is a very old looking to accompany grateful when things.It plays many roles,it can be tragic comedy director can also be planners; it can be a poison can also be a honey,no one can touch the penetration it.Once the jump into the trap of love,like arrows no longer beyond recovery to Li Xian,but stubbornly toward their own goals and flew ignore distance,straight through the air,finally landing.After landing there are two possibilities: one is intact reach the target,and the other is because for some reason,broken wings.
A wonderful end of the story,usually in comedy ended,readers read they are happy and can be seen in a few days later it will be forgotten.If a story ends in tragedy,then it must be something left in the readers mind,or regret,or pity,so that the reader repeatedly chew and thought.People are the pursuit of perfection.At the same time,people also praise the beauty of defects,it seems a contradiction,but not does not seem contradictory.
"Romeo and Juliet," is a tragedy,as I wrote above,it left in my mind what I said sure,and perhaps regret that bar.
Love more than big,but smaller than life!
第四篇：《罗密欧与朱丽叶》读后感
读了莎翁的经典大作《罗密欧与朱丽叶》，刚开始读觉得很累，句子都很长，每句话都有很多形容词，说一个名词前面都要加很多定语。有一段话真是太个性了，不愧是莎翁！
沉重的轻浮，严肃的狂妄，整齐的混乱，铅铸的'羽毛，光明的烟雾，寒冷的火焰，憔悴的健康，永远觉醒的睡眠，否定的存在！我感觉到的爱情正是这么一种东西，可是我并不喜欢这一种爱情。
全是反义词组成的句子，这样说爱情，绝了！
第五篇：《罗密欧与朱丽叶》读后感
罗密欧与朱丽叶的刻骨铭心的爱情故事可谓是家喻户晓了。它也着实感动了一批又一批的读者。虽然这部作品依年代来看是够古老的，但它就像陈年老酒一样，年代越久，越是芳香清醇。
作者莎士比亚将这段爱情描写得真挚感人，还富有一定的传奇色彩，这在当时，也可谓首屈一指了。整个故事以罗密欧与朱丽叶的爱情发展为线索，并穿插了凯普莱特与蒙太古两家贵族的争斗，也从一个侧面反映当时社会的黑暗。
这部悲剧以凯普莱特与蒙太古两家的械斗开始，以主人公之死换来两家和好结束，我在佩服主人公那种崇高爱情的同时，不禁在想：他们这样以死作结束值得吗？也许是时代的不同，造成了人的爱情观念的不同，但在当时，他们能为化解家族矛盾而牺牲自己的爱情，这种“牺牲”是有其特殊的意义的。
对于像我这样正处于花季年龄的人来说，对于“爱情”的认识还太浅，虽然偶尔会有一种朦胧的感觉，但这毕竟与前者相差甚远。
看了这本书后，我又想起了《泰坦尼克号》这部曾轰动一时的电影，Jack和Rase那段永不磨灭的爱情和“罗式”的爱情也有异曲同工之妙。记得小仲马曾说过：“真正的爱情始终使人向上。”他在失恋之后却写出了《茶花女》这样的名著。能拥有真正的爱情是每个人到了一定的时候都希望的，但倘若它一旦失去了，你也不能将一切都放弃，尤其是自尊，不然，你这一生几乎就全部被毁了。
时间在变，社会也变，人的思想观念也在变，“罗式”爱情已不复存在了，现代的爱情已变得十分简单、普通，但它蕴含着的那份情感却始终没有改变。爱情，它伴随着人类的起源来到这世界上，经过长时间的考验，它将变得更加成熟，更加完美，更加富有生命力。
第六篇：《罗密欧与朱丽叶》读后感
爱情是叹息吹起的一阵烟；恋人的眼中有它净化了的火星，恋人的眼泪是它激起的波涛。它又是最智慧的疯狂、咽喉的苦味，吃不到嘴的蜜糖。
梦本来是痴人脑中的胡思乱行，它的本质像空气一样稀薄。
它变幻莫测，就像一阵风，刚才还在向着冰雪的北方求爱。
忽然发起恼来，一转身又到雨露的南方来了。
凡事三思而行，跑的太快是会滑倒的。
充实的思想不在于言语的富丽，只有乞儿才能够计数他的家私。
适当的悲哀可以表示感情的深切，过度的伤心却可以证明智慧的欠缺。
没有受过伤的人，才会讥笑别人身上的伤疤！
我唯一的爱来自我唯一的恨。
不要指着月亮起誓，也许你的爱情也会像它一样无常。
在命运之书里，我们同在一行字之间。
我们耽误时光，好比白昼点灯一样。
太快和太慢，结果都不会美满。
在悲哀里度过的时间似乎是格外长的。
玫瑰不叫玫瑰，亦无报其芳香。
浓烈而又悲惨的爱情
――[英]莎士比亚《罗密欧与朱丽叶》
可能是喜剧的原因，文章的感情特别的充沛，一上来男女主就一见倾心，整体感情爆发的很快，虽然不符合现实，但更多地突出作者所想要表达的情感，结局无疑是悲惨的，虽然最后两大世家放弃了世仇，却是以血的代价换取的。
世事的发生都是由很多的凑巧和不凑巧所叠加的。作为故事的一部分，不论主角亦或是配角都是没有上帝视角的，这就注定没有人可以预判结局，站在高处统筹全局。时间的推进各自安排着每个人的命运。